|
Leonardo and Leonardo Music Journal
Author Index 1996--2007
"Appendix: Conference Program and Acknowledgments," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part II," Leonardo 29, No. 4 (1996).
"Foreword," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I," Leonardo 29, No. 3 (1996).
"Gallery Artworks," in Special Issue "The Fourth Annual New York Digital Salon Galleries," Leonardo 29, No. 5 (1996).
"Net Works," in Special Issue "The Fourth Annual New York Digital Salon Galleries," Leonardo 29, No. 5 (1996).
"The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).
®™ARK. ®™ark web site, Gallery Section, Leonardo 35, No. 1 (2002).
ABSTRACT MONARCHY TRIO. "Schrattenberg," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).
ABUNGU, LORNA. "The National Museum of Kenya: A Brief Overview," in Special Section "Virtual Africa," Leonardo 32, No. 2 (1999).
ACEVEDO, VICTOR. "Void Matrix Lattice," Leonardo 33, No. 1 (2000).
ADAMS, KATHRYN. Review of The Angelmakers, directed by Astrid Bussink, Leonardo 40, No. 5 (2007).
ADAMS, KATHRYN. Review of Live at the Stain Bar by The Quartet of Happiness, Leonardo 40, No. 4 (2007).
ADAMS, KATHRYN. Review of Prisoners of Beckett, directed by Michka Saäl, Leonardo 41, No. 4 (2008).
ADAMS, KATHRYN. Review of The Secret Life of Babies, Parts 1 & 2, directed by Bernard George, Leonardo 41, No. 1 (2008).
ADZHIEV, VALERY; COMNINOS, PETER; and PASKO, ALEXANDER. "Augmented Sculpture: Computer Ghosts of Physical Artifacts," Leonardo 36, No. 3 (2003).
AGF, "Leo's Code," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).
AGOSTI, JEAN-PAUL. "Orphée, Suite d'orphée 'Le Passage' and Jardin Hieroglyphique," Gallery Section, 34, No. 1 (2001).
AHARONIÁN, CORIÚN. "Cardew as a Basis for a Discussion on Ethical Options," Leonardo Music Journal 11 (2001).
AHARONIÁN, CORIÚN: "An Approach to Compositional Trends in Latin America," Leonardo Music Journal 10 (2000).
AJAYKUMAR. "Toward Other Epistemologies of Interface Culture: Dependent Origination, Tantra and Relational Being in an Age of Digital Reproduction,"
Leonardo 40, No. 5 (2007).
AKGUN, B. TEVFIK. "The Digital Art of Marbled Paper," Leonardo 37, No. 1 (2004).
AKNER KOLER, CHERYL, and BERGSTRÖM, LARS. "Complex Curvatures in Form Theory and String Theory," Leonardo 38, No. 3 (2005).
ALBA, MIGUEL ANGEL CORONA. "Macacintosh," Leonardo 29, No. 1 (1996).
ALBANY, DANA. "The Bone Tree," Leonardo 36, No. 5 (2003).
ALEJANDRA & AERON, "Village Football," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).
ALEXANDER, CHRIS. "An Open Letter to the Melilla Conference Participants," in Special Section "Melilla Colloquium," Leonardo 39, No. 1 (2006).
ALEXENBERG, MEL. "Cyberangels: An Aesthetic Peace Plan for the Middle East," Leonardo 39, No. 3 (2006).
ALLEN, REBECCA. "The Emergence Project: The Bush Soul, in Special Section "College Art Association Papers," Leonardo 38, No. 4 (2005).
ALLOUCHE, JEAN-PAUL. "How New Is Technological Art?" Leonardo 32, No. 4 (1999).
ALSAYYAD, NEZAR. "Virtual Cairo: An Urban Historian's View of Computer Simulation," in Special Section "Virtual Africa," Leonardo 32, No. 2 (1999).
ALSCHILLER, IRA. "The View from the Pixel Factory: Ethos and Lucre," Leonardo 33, No. 2 (2000).
ALSOP, ROGER. "Exploring the Self through Algorithmic Composition," Leonardo Music Journal 9 (1999).
AMERIKA, MARK. "Expanding the Concept of Writing: Notes on Net Art, Digital Narrative and Viral Ethics," Leonardo 37, No. 1 (2004).
AMES, CHARLES. "My Computer Composed Instrumental Works of the 1980s," Leonardo Music Journal 7 (1997).
AMES, CHARLES. "Thresholds of Confidence: An Analysis of Statistical Methods for Composition: Part 2: Applications," Leonardo Music Journal 6 (1996).
ANDERS, PETER. "Anthropic Cyberspace: Defining Electronic Space from First Principles," in Special Issue "The Ninth Annual Digital Salon," 34, No. 5 (2001).
ANDERS, PETER. "Introduction: ISEA 2002: Orai: At the Crossroads of Meaning," Leonardo 37, No. 3 (2004).
ANDERS, PETER. "Introduction: Orai: Routes to and from ISEA 2002," in Special Section "ISEA 2002 Selected Papers," Leonardo 37, No. 4 (2004).
ANDERSON, MAXWELL L. "The Byte Sized Collections of Art Museums," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I," Leonardo 29, No. 3 (1996).
ANDERSSON, FRED. Review of "Electrohype 200," Leonardo 34, No. 4 (2001).
ANDERSSON, FRED. Review of AIUEONN---Six Features & a Game of Words Which Starts with the Letter A by Takahiko Iimura, Leonardo 34, No. 4 (2001).
ANDERSSON, FRED. Review of Art of the 21st Century: The Humanization of Technologies (A Arte no Século XXI: A Humanização das Technologias), edited by Diana Domingues, Leonardo 34, No. 4 (2001).
ANDERSSON, FRED. Review of Arte Vision: A History of Electronic Art in Spain (Arte Vision: Una historia del arte electrónico en España), edited/published by MECAD, Leonardo 34, No. 4 (2001).
ANDERSSON, FRED. Review of Bachelors by Rosalind Krauss, Leonardo 33, No. 4 (2000).
ANDERSSON, FRED. Review of Bourdieu and the Journalistic Field, edited by Rodney Benson and Erik Neveu, Leonardo 40, No. 3 (2007).
ANDERSSON, FRED. Review of The Deleuze Connections by John Rajchman, Leonardo 36, No. 4 (2003).
ANDERSSON, FRED. Review of Seeing/Hearing/Speaking by Takahiko Iimura, Leonardo 37, No. 2 (2004).
ANDERSSON, FRED. Review of Takahiko Iimura---Film et Video by Daniel Charles, Leonardo 34, No. 4 (2001).
ANDERSSON, FRED. Review of Vi: En dokumentation om kulturrådgiveri/We: A Documentation of Cultural Affairs by Staffan Mossenmark and Jörgen Svensson, Leonardo 33, No. 2 (2000).
ANDIA, ALFREDO. "Internet Studios: Teaching Architectural Design On-Line between the United States and Latin America," in Special Section "SIGGRAPH Educators Program," Leonardo 35, No. 3 (2002).
ANDO, ARIKE. "What are People for?" in Special Issue "The Ninth Annual Digital Salon," 34, No. 5 (2001).
ANIMAL WITH NO NAME. "Sampling Space," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).
ANKER, SUZANNE. "Cellular Script (Yves Klein Blue)," in Special Section "Art and Biology," Leonardo 31, No. 4 (1998).
ANKER, SUZANNE. "Gene Culture: Molecular Metaphor in Visual Art," in Special Issue "The Eighth Annual New York Digital Salon," 33, No. 5 (2000).
ANNUNZIATO, MAURO, and PIERUCCI, PIERO. "Relazioni Emergenti: Experiments with the Art of Emergence," in Special Section "A-Life in Art, Edutainment, Games and Research," Leonardo 35, No. 2 (2002).
ANSTEY, JOSEPHINE. "Are You Waving or Drowning?: Art, Interaction, Manipulation and Complexity," Leonardo 32, No. 4 (1999).
ANSTIS, STUART. "Was El Greco Astigmatic?" Leonardo 35, No. 2 (2002).
ARCHER, PHIL. "Clip Art," Leonardo Music Journal 17 (2007).
ARIAS, RICARDO. "From the Margins of the Periphery: Music and Technology at the Outskirts of the West---A Personal View," Leonardo Music Journal 8 (1998).
ARIAS, RICARDO. "I Know It's Only Noise but I Like It: Scattered Notes on the Pleasures of Experimental Improvised Music," Leonardo Music Journal 12 (2002).
ARIKE, ANDO. "The `Two Cultures' Revisited," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).
ARISTARKHOVA, IRINA. Editorial: "The Tyranny of the Possible," Leonardo 38, No. 1 (2005).
ARKONA. "Komputerliebe," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).
ARNHEIM, RUDOLF. "Buildings and Human Figures Aware of Each Other," Leonardo 32, No. 3 (1999).
ARNHEIM, RUDOLF. "The Coming and Going of Images," Leonardo 33, No. 3 (2000).
ARNHEIM, RUDOLF. "The Two Authenticities of the Photographic Media," Leonardo 30, No. 1 (1997).
ARNHEIM, RUDOLF. Review of Engineering a New Architecture, by Tony Robbin, Leonardo 30, No. 2 (1997).
ARNHEIM, RUDOLF. Review of Siegfried Kracauer and Erwin Panofsky: Briefwechsel 1941--1966, edited by Volker Breidecker, Leonardo 31, No. 1 (1998).
ARNHEIM, RUDOLF. Review of The Body and the Self, edited by José Luis Bermúdez, Anthony Marcel and Naomi Eilan, Leonardo 30, No. 1 (1997).
ARNHEIM, RUDOLF. Review of Visual Literacy: Image, Mind and Reality, by Paul Messaris, Leonardo 29, No. 1 (1996).
ARNOLD, WILFRED NIELS. "The Illness of Vincent van Gogh: An Interactive Web Site," Leonardo 38, No. 2 (2005).
ARNOLD, WILFRED NIELS. Review of America and the Daguerreotype by John Wood, Leonardo 33, No. 2 (2000).
ARNOLD, WILFRED NIELS. Review of A Bibliographical History of the Study and Use of Color from Aristotle to Kandinsky, by Kenneth E. Burchett, Leonardo 39, No. 5 (2006).
ARNOLD, WILFRED NIELS. Review of The Animated Man: A Life of Walt Disney by Michael Barrier, Leonardo 41, No. 4 (2008).
ARNOLD, WILFRED NIELS. Review of Camouflage by Neil Leach, Leonardo 40, No. 3 (2007).
ARNOLD, WILFRED NIELS. Review of Color and Meaning: Art, Science, and Symbolism by John Gage, Leonardo 34, No. 4 (2001).
ARNOLD, WILFRED NIELS. Review of Compelling Visuality: The Work of Art in and out of History, edited by Claire Farago and Robert Zwijnenberg, Leonardo 38, No. 1 (2005).
ARNOLD, WILFRED NIELS. Review of The Copyright Book: A Practical Guide, by William S. Strong, Leonardo 33, No. 4 (2000).
ARNOLD, WILFRED NIELS. Review of Descartes: The Life and Times of a Genius by A.C. Grayling, Leonardo 40, No. 4 (2007).
ARNOLD, WILFRED NIELS. Review of Drawing in Early Renaissance Italy by Francis Ames-Lewis, Leonardo 34, No. 2 (2001).
ARNOLD, WILFRED NIELS. Review of The Dream Drugstore: Chemically Altered States of Consciousness by J. Allan Hobson, Leonardo 35, No. 4 (2002).
ARNOLD, WILFRED NIELS. Review of In the Eye of the Beholder: The Science of Face Perception, by Vicki Bruce and Andy Young, Leonardo 32, No. 3 (1999).
ARNOLD, WILFRED NIELS. Review of The Eye's Mind: Literary Modernism and Visual Culture by Karen Jacobs, Leonardo 35, No. 1 (2002).
ARNOLD, WILFRED NEILS. Review of False Colors by Roy R. Behrens, Leonardo 36, No. 1 (2003).
ARNOLD, WILFRED NIELS. Review of Higher Superstition: The Academic Left and Its Quarrels with Science, by Paul Gross and Norman Levitt, and The Flight from Science and Reason, edited by Paul Gross, Norman Levitt and Martin Wise, Leonardo 32, No. 1 (1999).
ARNOLD, WILFRED NEILS. Review of Iconoclash, edited by Bruno Latour and Peter Weibel, Leonardo 36, No. 4 (2003).
ARNOLD, WILFRED NIELS. Review of To Light Such a Candle: Chapters in the History of Science and Technology, by Keith J. Laidler, Leonardo 32, No. 2 (1999).
ARNOLD, WILFRED NIELS. Review of The Mayne Inheritance by Rosalind Siemon, Leonardo 37, No. 2 (2004).
ARNOLD, WILFRED NIELS. Review of Painted Love: Prostitution in French Art of the Impressionist Era by Hollis Clayson, Leonardo 37, No. 5 (2004).
ARNOLD, WILFRED NIELS. Review of Van Gogh: Fields and Flowers, by Debra N. Mancoff, Leonardo 33, No. 3 (2000).
ARNOLD, WILFRED NIELS. Review of Vermeer's Camera: Uncovering the Truth behind the Masterpieces by Philip Steadman, Leonardo 35, No. 1 (2002).
ARNOLD, WILFRED NIELS. Review of Visual Explanations: Images and Quantities, Evidence and Narrative, by Edward Tufte, Leonardo 31, No. 1 (1998).
ARNOLD, WILFRED NIELS. Review of Visualizations: The Nature Book of Art and Science by Martin Kemp, Leonardo 35, No. 2 (2002).
ARNOLD, WILFRED NIELS. Review of What Is Life? by Lynn Margulis and Dorion Sagan, Leonardo 34, No. 4 (2001).
ARSZYN. "Oho!---rzekla Zydówka, ukazujac drugie, duze, czarne oko (czesc druga), " LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).
ART+COM. "Ride-the-Byte," Leonardo 33, No. 2 (2000).
ASBERRY, KASEY. Review of An Atlas of Rare City Maps: Comparative Urban Design 1830--1842 by Melville C. Branch, Leonardo 37, No. 5 (2004).
ASBERRY, KASEY. Review of "Design+Undesign: Tibor Kalman, 1979--1999," Leonardo 33, No. 3 (2000).
ASBERRY, KASEY. Review of "Urge," by Chico MacMurtrie, Leonardo 33, No. 2 (2000).
ASBERRY, KASEY RIOS. Review of Gloria Unti, Life and Work (CD-ROM), produced by Ann Wettrich and Wendy Bardsley, Leonardo 32, No. 1 (1999).
ASBERRY, KASEY RIOS. Review of Microcosmos: Four Billion Years of Evolution from Our Microbial Ancestors, by Lynn Margulis and Dorian Sagan, Leonardo 31, No. 4 (1998).
ASBERRY, KASEY RIOS. Review of The XML and SGML Cookbook: Recipes for Structured Information, by Rick Jelliffe, Leonardo 32, No. 4 (1999).
ASCOTT, ROY. Editorial: "Cybernetic, Technoetic, Syncretic: The Prospect for Art," Leonardo 41, No. 3 (2008).
ASCOTT, ROY. "Orai, or How the Text Got Pleated: A Genealogy of La Plissure du Texte: A Planetary Fairytale," Leonardo 37, No. 3 (2004).
ASCOTT, ROY. "The Planetary Collegium," in Special Section "The Planetary Collegium: Towards the Radical Reconstruction of Art Education," Leonardo 31, No. 2 (1998).
ASCOTT, ROY. "Planetary Technoetics: Art, Technology and Consciousness," Leonardo 37, No. 2 (2004).
ASCOTT, ROY. "Technoetic Pathways toward the Spiritual in Art: A Transdisciplinary Perspective on Connectedness, Coherence and Consciousness,? in Special Section "Melilla Colloquium," Leonardo 39, No. 1 (2006).
ASCOTT, ROY. "The Technoetic Predicate," Leonardo 32, No. 3 (1999).
ASHLEY, ROBERT. "Automatic Writing," Leonardo Music Journal 8 (1998).
ATASI, ROGER. "Hola y chao, Killing for Living, Yo Robot and To: Me," Gallery Section, Leonardo 35, No. 4 (2002).
ATTAS, MICHAEL, ET AL. "Spectroscopic Imaging in Art Conservation: A New Tool for Materials Investigations," Leonardo 36, No. 4 (2003).
AUCOUTURIER, JEAN-JULIEN. "The Hypothesis of Self-Organization for Musical Tuning Systems," Leonardo Music Journal 18 (2008).
AUFERMANN, KNUT, and KOGAWA, TETSUO. "fm:i/o," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).
AUGER, STEPHEN. "The Harmonic Nature of Perceptual Color as a Technique of Painting," Leonardo 29, No. 3 (1996).
AYCOCK, JOHN. "Painting the Internet," in Special Section "Transactions," Leonardo 41, No. 2 (2008).
AYDEMIR, MURAT. Review of Madonna: De vele gezichten van een popster (Madonna: The Many Faces of a Popstar) by Hannah Bosma and Patricia Pisters, Leonardo 33, No. 4 (2000).
AYERS, LYDIA. "Merapi: A Composition for Gamelan and Computer Generated Tape," Leonardo Music Journal 6 (1996).
BAETENS, JAN. Review of The Aesthetics of Disengagement: Contemporary Art and Depression by Christine Ross, Leonardo 40, No. 2 (2007).
BAETENS, JAN. Review of Art, Time, and Technology by Charlie Gere, Leonardo 40, No. 1 (2007).
BAETENS, JAN. Review of Beyond the Soundtrack: Representing Music in Cinema, edited by Daniel Goldmark, Lawrence Kramer and Richard Leppert, Leonardo 41, No. 4 (2008).
BAETENS, JAN. Review of Cartographic Cinema by Tom Conley, Leonardo 41, No. 3 (2008).
BAETENS, JAN. Review of Collectivism after Modernism: The Art of Social Imagination after 1945, edited by Blake Stimson and Gregory Sholette, Leonardo 41, No. 3 (2008).
BAETENS, JAN. Review of Feintes_doutes + fictions: Réflexions sur la photographie numérique, edited by Rodrigue Bélanger, Leonardo 40, No. 2 (2007).
BAETENS, JAN. Review of The Hidden Sense: Synesthesia in Art and Science by Crétien van Campen, Leonardo 41, No. 4 (2008).
BAETENS, JAN. Review of The Material Image: Art and the Real in Film by Brigitte Peucker, Leonardo 41, No. 1 (2008).
BAETENS, JAN. Review of Mechanisms: New Media and the Forensic Imagination by Matthew G. Kirschenbaum, Leonardo 41, No. 5 (2008).
BAETENS, JAN. Review of Neo-Baroque Aesthetics and Contemporary Entertainment by Angela Ndalianis Leonardo 38, No. 1 (2005).
BAETENS, JAN. Review of New Media Poetics: Contexts, Technotexts, and Theories, edited by Adalaide Morris and Thomas Swiss, Leonardo 40, No. 3 (2007).
BAETENS, JAN. Review of The New Typography by Jan Tschichold, Leonardo 41, No. 1 (2008).
BAETENS, JAN. Review of PopModernism: Noise and the Reinvention of the Everyday by Juan A. Su?rez, Leonardo 41, No. 2 (2008).
BAETENS, JAN. Review of Seeing High and Low: Representing Social Conflict in American Visual Culture, edited by Patricia Johnston, Leonardo 40, No. 5 (2007).
BAETENS, JAN. Review of Shadows, Specters, Shards: Making History in Avant-Garde Film by Jeffrey Skoller, Leonardo 40, No. 1 (2007).
BAETENS, JAN. Review of Shigeru Ban: An Architect for Emergencies, directed by Michel Quinejure, Leonardo 41, No. 3 (2008).
BAETENS, JAN. Review of Shooting from the Hip: Photography, Masculinity and Postwar America, by Patricia Vettel-Becker, Leonardo 39, No. 5 (2006).
BAETENS, JAN. Review of Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness by Roy Ascott, Leonardo 38, No. 2 (2005).
BAETENS, JAN. Review of Things That Talk: Object Lessons from Art and Science, edited by Lorraine Daston, Leonardo 38, No. 3 (2005).
BAETENS, JAN. Review of The Transparent Body: A Cultural Analysis of Medical Imaging, by Jose Van Dijck, Leonardo 39, No. 1 (2006).
BAETENS, JAN. Review of Wireless Writing in the Age of Marconi by Timothy C. Campbell, Leonardo 40, No. 3 (2007).
BÁEZ, MANUEL A. "Phenomenological Garden," Gallery Section, Leonardo 36, No. 4 (2003).
BÖHLEN, MARC, and MATEAS, MICHAEL. "Office Plant #1: Intimate Space and Contemplative Entertainment," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).
BAHN, CURTIS. Review of EREIA, performed by Doctor Nerve and the Sirius String Quartet, Leonardo 34, No. 3 (2001).
BAHN, CURTIS. Review of The Hyperstring Project by Jon Rose, Leonardo 34, No. 3 (2001).
BALABAN, MIRA, and ELHADAD, MICHAEL. "On the Need for Visual Formalisms in Music Processing," Leonardo 32, No. 2 (1999).
BALLORA, MARK; PENNYCOOK, BRUCE; IVANOV, PLAMEN C.; GLASS, LEON; and GOLDBERGER, ARY L. "Heart Rate Sonification: A New Approach to Medical Diagnosis," Leonardo 37, No. 1 (2004).
BALOGH, BRETT IAN. "Travelers inside Pianos: Spurious Landscapes," Leonardo Music Journal 18 (2008).
BALOGH, BRETT IAN. "When Airwaves Swing: Confessions of a Radio Enthusiast," Leonardo Music Journal 17 (2007).
BALPE, JEAN-PIERRE. "Toward a Diffracted Literature," in Special Section "Artmedia VIII Selected Symposium Papers," Leonardo 37, No. 5 (2004).
BANKS, JOE. "Rorschach Audio: Ghost Voices and Perceptual Creativity," Leonardo Music Journal 11 (2001).
BARBER, JOHN F. Review of Anime Explosion: The What? Why? & Wow! of Japanese Animation
by Patrick Drazen, Leonardo 40, No. 4 (2007).
BARBER, JOHN F. Review of The Architecture of Madness: Insane Asylums in the United States by Carla Yanni, Leonardo 41, No. 4 (2008).
BARBER, JOHN F. Review of Design Anarchy by Kalle Lasn, Leonardo 41, No. 2 (2008).
BARBER, JOHN F. Review of Digital People: From Bionic Humans to Androids by Sidney Perkowitz, Leonardo 38, No. 2 (2005).
BARBER, JOHN F. Review of Give Our Regards to the Atomsmashers: Writers on Comics, by Sean Howe, Leonardo 39, No. 5 (2006).
BARBER, JOHN F. Review of The Jasons: The Secret History of Science's Postwar Elite
by Ann Finkbeiner, Leonardo 40, No. 5 (2007).
BARBER, JOHN F. Review of YLEM Journal Special Issue: Science Fiction and Its Discontents, Leonardo 40, No. 2 (2007).
BARBIER, ANNETTE. "Home Invasion," Leonardo 30, No. 4 (1997).
BARBOSA, ÁLVARO. "Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation," Leonardo Music Journal 13 (2003).
BARD, JOE, and PARKINSON, DANYA. "The Fire Pendulums," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).
BARILE, JASON. Review of Mastering the Theremin, video written and directed by William Olsen, in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).
BARLIANT, CLAIRE. Review of Czech Photographic Avant-Garde by Vladimír Birgus, Leonardo 36, No. 5 (2003).
BARLIANT, CLAIRE. Review of La Rioja by Alejandra and Aeron (CD), Leonardo 35, No. 4 (2002).
BARLIANT, CLAIRE. Review of One Place after Another by Miwon Kwon, Leonardo 36, No. 3 (2003).
BARNET, SE, and CHENOWETH, KAHTY. "Sites for Flood and Drought," Gallery Section, Leonardo 37, No. 5 (2004).
BARNETT, HEATHER, and WHITTLE, ROBERT. "Drawing the Line: Some Observations on an Art/Science Collaboration,? in Special Section ?Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).
BARNWAVE (Kevin Blechdom and Christopher Fleeger), "Prancing," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).
BARRETT, RICHARD. "not necessarily anything to do with Karlheinz Stockhausen (excavated from diary entries 20 February-10 November 1994)," Leonardo Music Journal 8 (1998).
BARRASS, STEPHEN; WHITELAW, MITCHELL; and BAILES, FREYA. "Listening to the Mind Listening: An Analysis of Sonification Reviews, Designs and Correspondences," Leonardo Music Journal 16 (2006).
BARSAMIAN, GREGORY. "Scream," Gallery Section, 34, No. 3 (2001).
BARUCCI, VALENTINA. "Freesias and Mimosas in Semigroups and Via Fax Working," Gallery Section, Leonardo 33, No. 1 (2000).
BASOV, V. Review of Prometheus-2000: International Conference on the Destiny of Light-Music at the Threshold of the New Century, Leonardo 35, No. 2 (2002).
BATSRY, IRIT. "Fragments of a Flow: A Thread of Water in Video Work," Leonardo 36, No. 4 (2003).
BATTIER, MARC. "The Electroacoustic Music Studies Network," editorial, Leonardo 40, No. 5 (2007).
BATTIER, MARC. Review of Electric Sound: The Past and Promise of Electronic Music, by Joel Chadabe, Leonardo Music Journal 7 (1997).
BATTIER, MARC. Review of Hyperprism PPC Version 1.2.1, real time sound designing software for the Macintosh by Arboretum Systems, Leonardo Music Journal 7 (1997).
BATTIER, MARC. Review of Overture, Version 1.2, professional music notation software for the Macintosh by Opcode Systems, Inc., Leonardo Music Journal 6 (1996).
BATTIER, MARC. Review of Studio Vision Pro, Version 3.0, software for the Macintosh by Opcode Systems, Inc., Leonardo Music Journal 6 (1996).
BATTUS, PASCAL. "Sound Massages," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).
BAUM, AARON WOLF. "The Voice of the Nebulous Entity," Leonardo 36, No. 5 (2003).
BAZOV, V.V. Review of The Birth of Artistic Integrity: The Artist's Self Analysis of Dynamic Thought Potential, by Ye. V. Sintzov, Leonardo 29, No. 2 (1996).
BEAL, AMY C. "Ambassador of the American Avant-Garde: David Tudor in West Germany, 1954?1972," abstract of paper presented at the symposium "The Art of David Tudor: Indeterminacy and Performance in Postwar Culture," Leonardo Music Journal 14 (2004).
BEAM, MARK. "New Media Minds Forum," Leonardo 31, No. 4 (1998).
BEAM, MARK. Special Section Introduction: "Global Crossings," Leonardo 36, No. 5 (2003).
BEARINGER, JANE. "Chaos Control on the Nanoscale," in Special Section "Nanotechnology, Nanoscale Science and Art," Leonardo 41, No. 4 (2008).
BECKER, BARBARA. "Cyborgs, Agents, and 'Transhumanists': Crossing Traditional Borders of Body and Identity in the Context of New Technology," in Special Issue "The Eighth Annual New York Digital Salon," 33, No. 5 (2000).
BEDAU, MARK. "The Scientific and Philosophical Scope of Artificial Life," in Special Section "A-Life in Art, Edutainment, Games and Research," Leonardo 35, No. 4 (2002).
BEEKMAN, RENÉ. Review of Unsorted: An A to Z for SonicActsX, by Arie Altena et al., Leonardo 39, No. 2 (2006).
BEER, DAVID. Review of After Adorno: Rethinking Music Sociology, by Tia DeNora, Leonardo 39, No. 1 (2006).
BEHR, OMRI. "An Improved Method for Steel-Facing Copper Etching Plates," Leonardo 30, No. 1 (1997).
BEHRENS, M. "For the Further Consequences of Reinterpretation," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).
BEHRENS, ROY. "The Artistic and Scientific Collaboration of Blanche Ames Ames and Adelbert Ames II," Leonardo 31, No. 1 (1998).
BEHRENS, ROY R. "Art, Design and Gestalt Theory," Leonardo 31, No. 4 (1998).
BEHRENS, ROY R. "Abbott H. Thayer's Anticipation of a Computer-Based Method of Working," Leonardo 34, No. 1 (2001).
BEHRENS, ROY R. "Rudolf Arnheim: The Little Owl on the Shoulder of Athene," Leonardo 31, No. 3 (1998).
BEHRENS, ROY R. "The Role of Artists in Ship Camouflage During World War I," Leonardo 32, No. 1 (1999).
BEHRENS, ROY R. Review of 1000 Extra/Ordinary Objects, edited by Colors Magazine, Leonardo 35, No. 1 (2002).
BEHRENS, ROY R. Review of Against Fashion: Clothing as Art, 1850-1930 by Radu Stern, Leonardo 38, No. 1 (2005).
BEHRENS, ROY R. Review of Alvar Aalto: Technology and Culture, produced by Oy Yleisradio, Leonardo 33, No. 2 (2000).
BEHRENS, ROY R. Review of American Modernism: Graphic Design, 1920 to 1960 by R. Roger Remington with Lisa Bodenstedt, Leonardo 37, No. 5 (2004).
BEHRENS, ROY R. Review of American Venus: The Extraordinary Life of Audrey Munson, Model and Muse by Diane Rozas and Anita Bourne Gottehrer, Leonardo 33, No. 4 (2000).
BEHRENS, ROY R. Review of Architects + Engineers = Structures by Ivan Margolius, Leonardo 36, No. 4 (2003).
BEHRENS, ROY R. Review of Art on Film/Film on Art (video), Leonardo 32, No. 4 (1999).
BEHRENS, ROY R. Review of August Sander: People of the 20th Century, film directed by Reiner Holzemer, Leonardo 39, No. 5 (2006).
BEHRENS, ROY R. Review of Becoming a Graphic Designer: A Guide to Careers in Design by Steven Heller and Teresa Fernandes, Leonardo 33, No. 4 (2000).
BEHRENS, ROY R. Review of Blast: Vorticism 1914--1918, edited by Paul Edwards, Leonardo 35, No. 3 (2002).
BEHRENS, ROY R. Reviews of Bauhaus: Less Is More, film by Eliseo Alvarez, and Dessau's Bauhaus, film by Frederic Compain, Leonardo 39, No. 1 (2006).
BEHRENS, ROY R. Review of Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers, by Arthur Wesley Dow, Leonardo 32, No. 1 (1999).
BEHRENS, ROY R. Review of A Day with Picasso: Twenty-Four Photographs, by Billy Kluver, Leonardo 32, No. 1 (1999).
BEHRENS, ROY R. Review of Design by Numbers by John Maeda, Leonardo 33, No. 2 (2000).
BEHRENS, ROY R. Review of Design Connoisseur: An Eclectic Collection of Imagery and Type by Stephen Heller and Louise Fili and Texts on Type: Critical Writings on Typography, edited by Stephen Heller and Philip B. Meggs, Leonardo 35, No. 3 (2002).
BEHRENS, ROY R. Review of Design Culture: An Anthology of Writing from the AIGA Journal of Graphic Design, Steven Heller and Marie Finamore, eds., Leonardo Music Journal 8 (1998).
BEHRENS, ROY R. Review of Design Humor by Steven Heller, Leonardo 36, No. 5 (2003).
BEHRENS, ROY R. Review of Design Literacy: Understanding Graphic Design, by Steven Heller and Karen Pomeroy, Leonardo 31, No. 3 (1998).
BEHRENS, ROY R. Review of Distant Shores: The Odyssey of Rockwell Kent by Constance Martin, Leonardo 34, No. 3 (2001).
BEHRENS, ROY R. Review of The Domain of Images by James Elkins, Leonardo 34, No. 1 (2001).
BEHRENS, ROY R. Review of Don't Touch the Poet: The Life and Times of Joel Oppenheimer, by Lyman Gilmore, Leonardo 32, No. 1 (1999).
BEHRENS, ROY R. Review of The Eat-a-Bug Cookbook: 33 Ways to Cook Grasshoppers, Ants, Waterbugs, Spiders, Centipedes, and Their Kin, by David George Gordon, Leonardo 32, No. 4 (1999).
BEHRENS, ROY R. Review of Eisenstein: The Master's House by Naum Klejman, Marianna Kireyewa and Alexander Iskin, Leonardo 37, No. 3 (2004).
BEHRENS, ROY R. Review of Envisioning Science by Felice Frankel, Leonardo 36, No. 4 (2003).
BEHRENS, ROY R. Review of The Films of Charles and Ray Eames (video), and 901: After 45 Years of Working: A Film by Eames Demetrios (video), Leonardo 32, No. 4 (1999).
BEHRENS, ROY R. Review of Fluxus Experience by Hannah Higgins, Leonardo 37, No. 2 (2004).
BEHRENS, ROY R. Review of Fonts and Logos: Font Analysis, Logotype Design, Type Comparison, and History by Doyald Young, Leonardo 34, No. 3 (2001).
BEHRENS, ROY R. Review of Forever, directed by Heddy Honigann, Leonardo 41, No. 3 (2008).
BEHRENS, ROY R. Review of Frank Lloyd Wright and the Johnson Wax Buildings, by Jonathan Lipman, Leonardo 38, No. 3 (2005) .
BEHRENS, ROY R. Review of Geometry of Design by Kimberly Elam, Leonardo 36, No. 5 (2003).
BEHRENS, ROY R. Review of George Nelson: The Design of Modern Design by Stanley Abercrombie, Leonardo 35, No. 3 (2002).
BEHRENS, ROY R. Review of Great Artists, by Robert Cumming, Leonardo 32, No. 4 (1999).
BEHRENS, ROY R. Review of The Great Exhibition of 1851, edited by Louise Purbrick, Leonardo 36, No. 2 (2003).
BEHRENS, ROY R. Review of The Hermitage Dwellers, directed by Aliona van der Horst and Hermitage-Niks: A Passion for the Hermitage, directed by Aliona van der Horst, Leonardo 40, No. 1 (2007).
BEHRENS, ROY R. Review of Hokusai, by Gian Carlo Calza, Leonardo 39, No. 2 (2006).
BEHRENS, ROY R. Review of Howard Finster: Man of Visions by Julie Desroberts, Leonardo 37, No. 3 (2004).
BEHRENS, ROY R. Review of The Hunter Gracchus and Other Papers on Literature and Art, by Guy Davenport, Leonardo 31, No. 3 (1998).
BEHRENS, ROY R. Review of Janet Ashbee by Felicity Ashbee, Leonardo 36, No. 1 (2003).
BEHRENS, ROY R. Review of Knowledge of Higher Worlds: Rudolf Steiner's Blackboard Drawings, edited by Laurence Rinder, Leonardo 32, No. 1 (1999).
BEHRENS, ROY R. Review of Klimt, Schiele, Moser, Kokoschka: Vienna 1900, edited by Karen Marie-Amelie zu Salm-Salm, Leonardo 40, No. 3 (2007).
BEHRENS, ROY R. Review of Leonora Carrington: Surrealism, Alchemy and Art, by Susan L. Alberth, Leonardo 39, No. 3 (2006).
BEHRENS, ROY R. Review of Lewis Carroll, Photographer by Roger Taylor and Edward Wakeling, Leonardo 36, No. 3 (2003).
BEHRENS, ROY R. Review of Light, Darkness, and Colors by Henrik Boetius, Marie Louise Lauridsen and Marie Louise Lefevre, Leonardo 35, No. 2 (2002).
BEHRENS, ROY R. Review of Lipchitz and the Avant-Garde, edited by Joseph Helferstein and Jordana Mendelson, Leonardo 36, No. 5 (2003).
BEHRENS, ROY R. Review of Masterpieces of Japanese Prints: Ukiyo-E from the Victoria and Albert Museum by Rupert Faulkner, Leonardo 33, No. 2 (2000).
BEHRENS, ROY R. Review of The Mathematics of Architecture: Building by Numbers (video), Leonardo 32, No. 4 (1999).
BEHRENS, ROY R. Review of Merchant Prince and Master Builder: Edgar J. Kaufmann and Frank Lloyd Wright, Leonardo 33, No. 2 (2000).
BEHRENS, ROY. R. Review of Merz to Émigré and Beyond: Avant-Garde Magazine Design of the Twentieth Century by Steven Heller, Leonardo 37, No. 4 (2004).
BEHRENS, ROY R. Review of The New Typography by Jan Tschichold, Leonardo 33, No. 2 (2000).
BEHRENS, ROY R. Review of Perception and Imaging, by Richard D. Zakia, Leonardo 32, No. 2 (1999).
BEHRENS, ROY R. Review of Picturing Modernism: Moholy-Nagy and Photography in Weimar Germany, by Eleanor M. Hight, and Lazló Moholy-Nagy: Biographical Writings, by Louis Kaplan, Leonardo 31, No. 4 (1998).
BEHRENS, ROY R. Review of Pierre Bourdieu: Sociology Is a Martial Art, directed by Pierre Carles, Leonardo 37, No. 1 (2004).
BEHRENS, ROY R. Review of Proteus: A Nineteenth Century Vision, film by David Lebrun, Leonardo 39, No. 1 (2006).
BEHRENS, ROY R. Review of Rudolf Arnheim: Revealing Vision, edited by Kent Kleinman and Leslie Van Duzer, Leonardo 32, No. 1 (1999).
BEHRENS, ROY R. Review of Ruskin's Journey: Teaching People to See, video produced for Lancaster University Television, Leonardo 34, No. 3 (2001).
BEHRENS, ROY R. Review of Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters by David Hockney, Leonardo 35, No. 4 (2002).
BEHRENS, ROY R. Review of Seeing Jazz: Artists and Writers on Jazz, Smithsonian Institution Traveling Exhibition Service, Leonardo 31, No. 4 (1998).
BEHRENS, ROY R. Review of The Springboard in the Pond: An Intimate History of the Swimming Pool by Thomas A.P. van Leeuwen, Leonardo 33, No. 4 (2000).
BEHRENS, ROY R. Review of Sullivan's City: The Meaning of Ornament for Louis Sullivan by David Van Zanten, Leonardo 35, No. 1 (2002).
BEHRENS, ROY R. Review of The Swastika: Symbol beyond Redemption by Stephen Heller, Leonardo 34, No. 3 (2001).
BEHRENS, ROY R. Review of Swing in Beijing, directed by Shui Bo Wang, Leonardo 36, No. 1 (2003).
BEHRENS, ROY R. Review of Topsy: William Morris, video produced by Boxwood Productions, Leonardo 34, No. 3 (2001).
BEHRENS, ROY R. Review of Turn-of-the Century Viennese Patterns and Designs by Koloman Moser, Leonardo 34, No. 3 (2001).
BEHRENS, ROY R. Review of A Typographic Workbook: A Primer to History, Techniques and Artistry, by Kate Clair, Leonardo 32, No. 4 (1999).
BEHRENS, ROY R. Review of A Typographic Workbook: A Primer to History, Techniques and Artistry by Kate Clair, Leonardo 33, No. 2 (2000).
BEHRENS, ROY R. Review of Vincent Van Gogh: Chemicals, Crisis, and Creativity by Wilfred N. Arnold, Leonardo 35, No. 3 (2002).
BEHRENS, ROY R. Review of Visual Analogy by Barbara Maria Stafford, Leonardo 34, No. 1 (2001).
BEHRENS, ROY R. Review of Why Art Cannot Be Taught: A Handbook for Art Students by James Elkins, Leonardo 35, No. 1 (2002).
BELADUBROVSKY, MARK EFIMOVICH. "The Annual Bryansk Nicolai Roslavets and Naum Gabo Festival," Leonardo 29, No. 4 (1996).
BELIK FIREBAUGH, EVA. Review of Sol Power: The Evolution of Solar Architecture, Leonardo 30, No. 3 (1997).
BELL, CLIVE. Review of The People's Choice Music by Komar & Melamid and Dave Soldier, Leonardo 33, No. 1 (2000).
BELL, CLIVE. Review of The People's Choice Music, CD by Komar & Melamid and Dave Soldier, Leonardo Music Journal 9 (1999).
BELL, NATALIE. "On Missing the Live of the Everyday Ambient," Leonardo Music Journal 18 (2008).
BELLAVER, TONY. "Teaching 'Nature' How to Become Nature: The Woodland Recovery Project," in Special Section "Art and Biology," Leonardo 31, No. 1 (1998).
BELONENKO, ALEXANDER S. "The Electronic Music School Studio at the Rimsky Korsakov Conservatory of St. Petersburg," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).
BELT, ADAM. "The Yearning Bush," Gallery Section, Leonardo 37, No. 5 (2004).
BEN-HAIM, YAKOV. "Art and the Exponential: Graphic Exploration of the Matrix Exponential Function," Leonardo 30, No. 1 (1997).
BEN-TAL, ODED, and BERGER, JONATHAN. "Creative Aspects of Sonification," Leonardo 37, No. 3 (2004).
BENNETT, JUSTIN. "BMB con.: Collaborative Experiences with Sound, Image and Space," Leonardo Music Journal 9 (1999).
BERESFORD, STEVE. "Toy Piano and Voice," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).
BERG, ADAM. "Perseus Hysteria," Leonardo 29, No. 1 (1996).
BERG, CHRISTL. "Rosa Dolorosa," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).
BERGHAUS, MARC. "Simulated Chance and Staggered Gear Ratios," Leonardo Music Journal 17 (2007).
BERKO, EDWARD. "Cadmium Orange, L'ombre de la nuit and Yellow Spring, " Gallery Section, 34, No. 1 (2001).
BERMAN, GRETA. "Synesthesia and the Arts," Leonardo 32, No. 1 (1999).
BERMÚDEZ, JULIO. Editorial: "Art and Design: Cures for Society's Growing Perceptual Blindness?" Leonardo 37, No. 5 (2004).
BERMÚDEZ, JULIO; AGUTTER, JIM; FORESTI, STEFANO, WESTENSKOW, DWAYNE; SYROID, NOAH; DREWS, FRANK; AND TASHJIAN, ELIZABETH. "Between Art, Science and Technology: Data Representation Architecture," in Special Section
"College Art Association Papers," Leonardo 38, No. 4 (2005).
BERTOL, DANIELA. "Architecture of Images: An Investigation of Architectural Representations and the Visual Perception of Three Dimensional Space," Leonardo 29, No. 2 (1996).
BERTOL, DANIELA. "Framing the Land and Sky: Art Meets Cosmology in a Sustainable Environment," Leonardo 39, No. 2 (2006).
BETANCOURT, MICHAEL. "A Taxonomy of Abstract Form Using Studies of Synesthesia and Hallucination," Leonardo 40, No. 1 (2007).
BETANCOURT, MICHAEL. Year: A Study in Creating Space with Color," Leonardo 38, No. 2 (2005).
BEUSCH, BRUNO, and CASSANI, TINA. "The Great Web Crash," Gallery Section, 34, No. 3 (2001).
BEVERIDGE, PATRICK. "Color Perception and the Art of James Turrell," Leonardo 33, No. 4 (2000).
BEZRUCZKO, NIKOLAUS, and BORGOGNONI VIMERCATI, AMBRA. "Advances in Measuring Artistic Judgment Aptitude," Leonardo 37, No. 3 (2004).
BIEGON, GLENN. "Caution---Objects Are Closer Than They Appear: Perspectively Inverted Pseudoscopic Images behind Accelerated Space," Leonardo 38, No. 3 (2005).
BIEGON, GLENN. "Stereoscopic Synergy: Twin-Relief Sculpture and Painting," Leonardo 38, No. 2 (2005).
BILDA, ZAFER. "Interactive Experience in Public Context: Tango Tangle," Transactions, Leonardo 40, No. 4 (2007).
BILES, JOHN A. "GenJam in Perspective: A Tentative Taxonomy for GA Music and Art Systems," Leonardo 36, No. 1 (2003).
BILOTTA, ELEONORA and PANTANO, PIETRO. "Synthetic Harmonies: An Approach to Musical Semiosis by Means of Cellular Automata," in Special Section "A-Life in Art, Edu-tainment, Games and Research," Leonardo 35, No. 2 (2002).
BING, RICHARD J. "Composing Music and the Science of the Heart: How to Serve Two Masters," in Special Section "ArtScience: The Essential Connection," Leonardo 41, No. 4 (2008).
BINKLEY, TIMOTHY. "Anniversary Annal," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).
BINKLEY, TIMOTHY. "Autonomous Creations: Birthing Intelligent Agents," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).
BINKLEY, TIMOTHY. "Personalities at the Salon of Digits," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).
BIRD, JON; LAYZELL, PAUL; WEBSTER, ANDY; and HUSBANDS, PHIL. "Towards Epistemically Autonomous Robots: Exploiting the Potential of Physical Systems," Leonardo 36, No. 2 (2003).
BIRRINGER, JOHANNES. "Lively Bodies, Live Machines: Split Realities," Leonardo 31, No. 2 (1998).
BIRRINGER, JOHANNES. "The Movement of Memory: Scanning Dance," Leonardo 31, No. 3 (1998).
BIZRI, HISHAM M. "City of Brass: The Art of Masking Reality in Digital Film," Leonardo 36, No. 1 (2003).
BIZRI, HISHAM. "Story Telling in Virtual Reality," Leonardo 33, No. 1 (2000).
BLACK, TIM. "L2K Ring Project and Ship to Ship," Leonardo 36, No. 5 (2003).
BLACK, TIM. "The Voice of Fire," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).
BLACKWELL, ALAN, and BIGGS, SIMON. "Making Material Culture," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).
BLASSER, PETER. "Pretty Paper Rolls: Experiments in Woven Circuits," Leonardo Music Journal 17 (2007).
BLASSNIGG, MARTHA. Review of The Aegina Academy, A Forum for Art and Science: Light/Image/Illusion, by Gustav Deutsch and Hanna Schimek, Leonardo 39, No. 3 (2006).
BLASSNIGG, MARTHA. Review of Angels and Demons in Art by Rosa Giorgi, Leonardo 40, No. 1 (2007).
BLASSNIGG, MARTHA. Review of The Cinema, or The Imaginary Man, by Edgar Morin, Leonardo 39, No. 2 (2006).
BLASSNIGG, MARTHA. Reviews of International Documentary Film-festival Amsterdam (IDFA, 2005) and Shadow Festival (Amsterdam, 2005), Leonardo 39, No. 5 (2006).
BLASSNIGG, MARTHA. Review of Malick SidibÉ: Portrait of the Artist as a Portraitist by Susan Vogel, Leonardo 40, No. 2 (2007).
BLASSNIGG, MARTHA. Review of Our Daily Bread by Nikolaus GeyrhalterLeonardo 40, No. 4 (2007).
BLASSNIGG, MARTHA. Review of 2nd Film Biennale: Digital Technologies Meet Early Cinema, festival at Netherlands Filmmuseum, Amsterdam, Leonardo 39, No. 1 (2006).
BLASSNIGG, MARTHA. Review of Timeshift: The World in Twenty-Five Years; and Face to Face: Connecting Distance and Proximity, Leonardo 38, No. 2 (2005).
BLOM, INA. "The Touch through Time: Raoul Hausmann, Nam June Paik and the Transmission Technologies of the Avant-Garde," Leonardo 34, No. 3 (2001).
BLASSNIGG, MARTHA. Review of Traces of Light: Absence and Presence in the Work of Lo?e Fuller by Ann Cooper Albright, Leonardo 41, No. 5 (2008).
BODLE, CARRIE. "Sonification/Listening Up," in Special Section "Sound and the Social Organization of Space," Leonardo Music Journal 16 (2006).
BÖHLEN, MARC. "Robots with Bad Accents: Living with Synthetic Speech," Leonardo 41, No. 3 (2008).
BÖHLEN, MARC, and RINKER, JT. "Universal Whistling Machine," The VIDA Gallery, Leonardo 41, No. 1 (2008).
BOLOGNINI, MAURIZIO. "The SMSMS Project: Collective Intelligence Machines in the Digital City," in Special Section "Artmedia," Leonardo 37, No. 2 (2004).
BOLTER, JAY DAVID. "The Desire for Transparency in an Era of Hybridity," in Special Section "CAA 2005," Leonardo 39, No. 2 (2006).
BONARDI, ALAIN, and ROUSSEAUX, FRANCIS. "Composing an Interactive Virtual Opera: The Virtualis Project," in Special Section "Creativity and Cognition," Leonardo 35, No. 3 (2002).
BONINO, ANGIE. "Feet on the Ground and No Logo," Gallery Section, Leonardo 35, No. 4 (2002).
BONGERS, BERT. "Electronic Musical Instruments: Experiences of a New Luthier," Leonardo Music Journal 17 (2007).
BOOKCHIN, NATALIE. "The Databank of the Everyday," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).
BOOKCHIN, NATALIE. "The Intruder," Gallery Section, Leonardo 35, No. 1 (2002).
BOORSOOK, PAULINA. "Something about Art," Leonardo 30, No. 2 (1997).
BOOTZ, PHILIPPE. "The Functional Point of View: New Artistic Forms for Programmed Literary Works," Leonardo 32, No. 4 (1999).
BOOZELL, GREG. "Fired," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).
BOSCH, PETER, and SIMONS, SIMONE. "The Electric Swaying Orchestra: A Music Machine with Certain Creative Powers," Leonardo Music Journal 6 (1996).
BOSTIC, ADAM I. "Automata: Seeing Cyborg through the Eyes of Popular Culture, Computer-Generated Imagery and Contemporary Theory," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).
BOUCHAUD, JEAN-PHILIPPE. "Models of Randomness and Complexity, From Turbulence to Stock Markets," in Special Section "The Physics of Aesthetics," Leonardo 41, No. 3 (2008).
BOUJU, JACKY. "Nommo---The Spirit of Water---in the Dogon World," Leonardo 36, No. 4 (2003).
BOWERS, JOHN, and YAREMCHUK, VANESSA. "The Priority of the Component, or In Praise of Capricious Circuitry," Leonardo Music Journal 17 (2007).
BOYER, ERNEST L. "New Technologies and the Public Interest," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I," Leonardo 29, No. 3 (1996).
BOYER, STEPHEN. "Wanderings," Leonardo 33, No. 4 (2000).
BRÄUNINGER, JÜRGEN. ihlathi, CD contributor's note, Leonardo Music Journal 10 (2000).
BRÄUNINGER, JÜRGEN. CD Companion Introduction: "Southern Cones: Music out of Africa and South America," Leonardo Music Journal 10 (2000).
BRÄUNINGER, JÜRGEN. "UNYAZI," in Special Section "UNYAZI," Leonardo Music Journal 16 (2006).
BRAY, ANNE. "The Community Is Watching, and Replying: Art in Public Places and Spaces," Leonardo 35, No. 1 (2002).
BREED, LARRY. "The Chaotick," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).
BRET, MICHEL; TRAMUS, MARIE-HÉLÈNE; and BERTHOZ, ALAIN. "Interacting with an Intelligent Dancing Figure: Artistic Experiments at the Crossroads between Art and Cognitive Science
Leonardo 38, No. 1 (2005).
BRILL, LOUIS M. "Desert Weirdness Introduces a New Era of Art," Leonardo 36, No. 5 (2003).
BRILL, LOUIS M. "A Passion to Burn," Introduction, in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).
BRIZZI, ALDO. L'Épreuve du labyrinthe, CD contributor's note, Leonardo Music Journal 10 (2000).
BROECKMANN, ANDREAS. "Reseau/Resonance: Connective Processes and Artistic Practice," in Special Section "Artmedia VIII Selected Symposium Papers," Leonardo 37, No. 4 (2004).
BROECKMANN, ANDREAS. Review of Abstracting Craft: The Practiced Digital Hand by Malcolm McCullough, Leonardo 34, No. 1 (2001).
BROECKMANN, ANDREAS. Review of Electronic Culture: Technology and Visual Representation, edited by Timothy Druckrey, Leonardo 32, No. 1 (1999).
BROECKMANN, ANDREAS. Review of Media Revolution: Electronic Media in the Transformation Process of Eastern and Central Europe (German Title: Ost-West Internet), edited by Stephen Kovats, Leonardo 34, No. 1 (2001).
BROECKMANN, ANDREAS. "Small Channels for Deep Europe (Almost a Sermon)," Leonardo 35, No. 3 (2002).
BROOKS, STEPHEN, and ROSS, BRIAN J. "Automated Composition from Computer Models of Biological Behavior," Leonardo Music Journal 6 (1996).
BROUN, ELIZABETH. "Art, Electronic Outreach and American Democracy," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part II," Leonardo 29, No. 4 (1996).
BROWN, CHRIS. "Talking Drum: A Local Area Network Music Installation," Leonardo Music Journal 9 (1999).
BROWN, PAUL. "Breaking the Art and Science Standoff," Leonardo 34, No. 4 (2001).
BROWN, RICHARD D. "Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy," Leonardo 33, No. 1 (2000).
BUREAUD, ANNICK. "Introduction: From Aesthetics of Communication to Net Art: The ArtMedia VIII Symposium," in Special Section "Artmedia," Leonardo 37, No. 2 (2004).
BUREAUD, ANNICK. Review of Multimedia, From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, Leonardo 35, No. 1 (2002).
BUREAUD, ANNICK. Review of Shadow Server (Web site), by Ken Goldberg, Leonardo 31, No. 2 (1998).
BURGE, PERY. "Looking Beneath the Surface: The Radial Spread of Ink in Water,"
Leonardo 40, No. 5 (2007).
BURGESS, LOWRY. Introduction to Otto Piene with Robert Russert, "Sky, Scale and Technology in Art," in Special Section "From the Leonardo Archive," Leonardo 41, No. 5 (2008).
BURLAS, MARTIN, "monika vypoveda," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).
BURNS, KRISTINE H. "WOW'EM: Encouraging an Integrated Generation," Leonardo 32, No. 1 (1999).
BURNS, LAURA. "Introduction: MOISTURE," Gallery Section, Leonardo 37, No. 5 (2004).
BURRASTON, C. "Fundamental Insights on Complex Systems Arising from Generative Arts Practice," Transactions, Leonardo 40, No. 4 (2007).
BURT, WARREN. "Microtonal and Structural Aspects of My Monodies I and II," Leonardo Music Journal 7 (1997).
BURTNER, MATTHEW. "Regenerative Feedback in the Medium of Radio: Study 1.0 (FM) for Radio Transceiver," Leonardo Music Journal 13 (2003).
BURTON, EDWARD. "Artificial Innocence: Interactions between the Study of Children's Drawing and Artificial Intelligence," in Special Section "Creativity and Cognition Conference Papers," Leonardo 30, No. 4 (1997).
BUSSIÈRE, MICHAEL. "Performance Space Meets Cyberspace: Seeking the Creative Idiom and Technical Model for Live Music on Broadband," Leonardo Music Journal 13 (2003).
BUTT, DANNY. Introduction: "Local Knowledge: Place and New Media," Place, Ground and Practice section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).
BUTZMANN, FRIEDER. "Music for Salomé," Leonardo Music Journal 8 (1998).
BUTZMANN, FRIEDER. "That's Comish Music!---Mutant Sounds," Leonardo Music Journal 12 (2002).
BYRNE, DAVID. "Machines of Joy, or I Have Seen the Future, and It Is Squiggly," Leonardo Music Journal 12 (2002).
CADET, FRANCE. "Dog [LAB]01," The VIDA Gallery, Leonardo 41, No. 1 (2008).
CAGE, JOHN. "Essay," Leonardo Music Journal 8 (1998).
CAI, Y.Y.; LU, B.F.; FAN, Z.W.; CHAN, C.W.; LIM, K.T.; QI, L.; and LI, L. "Proteins, Immersive Games and Music," Leonardo 39, No. 2 (2006).
CAILLAUD, BERNARD. "Cellular Automat'Art as Part of Algorithmic Art," Leonardo 33, No. 2 (2000).
CAILLAUD, BERNARD. "Sonagraphic Art," Leonardo 30, No. 1 (1997).
CAILLAUD, BERNARD. "Sonographic Art," Leonardo Music Journal 6 (1996).
CALLAN, JONATHAN. "Untitled," Gallery Section, Leonardo 36, No. 4 (2003).
CAMPBELL, JIM. "Delusions of Dialogue: Control and Choice in Interactive Art," Leonardo 33, No. 2 (2000).
CAMPOPIANO, REMO; MARSDEN, GUY; and SCHULL, JONATHAN. "Eight-Bit Ant Farm," Gallery Section, Leonardo 36, No. 4 (2003).
CANDY, LINDA. "Constraints and Creativity in the Digital Arts," Transactions, Leonardo 40, No. 4 (2007).
CANDY, LINDA. Special Section Introduction: "Creativity and Cognition: Perspectives from the Third Symposium: Part 2," in Special Section "Creativity and Cognition," Leonardo 35, No. 3 (2002).
CANDY, LINDA. Special Section Introduction: "Part I: Perspectives from the Third Symposium," in Special Section "Creativity and Cognition," Leonardo 35, No. 1 (2002).
CARDEW, CORNELIUS. "John Cage--Ghost or Monster?" Leonardo Music Journal 8 (1998).
CAREY, BETH. "The Key_Bored_Lounge," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).
CARFOOT, GAVIN. "Acoustic, Electric and Virtual Noise: The Cultural Identity of the Guitar," Leonardo Music Journal 16 (2006).
CARRIER, DAVID. "Art Criticism and the Death of Marxism," Leonardo 30, No. 3 (1997).
CARRIER, DAVID. "The Aesthete in Pittsburgh: Public Sculpture in an Ordinary American City," Leonardo 36, No. 1 (2003).
CARRIER, DAVID. Introduction: "Leonardo and Leonardo da Vinci," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 1 (2008).
CARRIER, DAVID. "Thinking Things Through Historically," Leonardo 30, No. 2 (1997).
CARROLI, LINDA. "Virtual Encounters: Community or Collaboration on the Internet?," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).
CARROLL, BRIAN. "The Electromagnetic Internetwork," Leonardo 37, No. 3 (2004).
CARTER, PAUL. "Speaking Pantomimes: Notes on The Calling to Come," LMJ CD Companion Note, Leonardo Music Journal 6 (1996).
CASADO, JOSE CARLOS, AND CANO, HARKAITZ. "'Reality,' Artificial Reproduction, and Sexuality," in Special Issue "The Eighth Annual New York Digital Salon," 33, No. 5 (2000).
CASE, COLLEEN. Special Section Introduction: "SIGGRAPH Educators Section," in Special Section "SIGGRAPH Educators Program," Leonardo 35, No. 3 (2002).
CASSERLEY, LAWRENCE. "Plus ça change: Journeys, Instruments and Networks, 1966--2000," Leonardo Music Journal 11 (2001).
CASSIDY, BRUCE, and MOHAMED, POPS. "Closet Blues and The Phoenix's Call," CD contributor's notes, Leonardo Music Journal 10 (2000).
CATTS, ORON, and ZURR, IONAT. "Growing Semi-Living Sculptures: The Tissue Culture & Art Project," Leonardo 35, No. 4 (2002).
CENTURY, MICHAEL, and BARDINI, THIERRY. "Towards a Transformative Set-Up: Banff Center for the Arts' Art and Virtual Environments Program," Leonardo 32, No. 4 (1999).
CESEWSKI, PAUL, and GILES, JENNE. "Lotus-Land, or The Water Lily Ballroom," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).
CHADABE, JOEL. "Music and Life," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).
CHADABE, JOEL. "The History of Electronic Music as a Reflection of Structural Paradigms," Leonardo Music Journal 6 (1996).
CHANGCUN, WANG. "2008020912," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).
CHAPPLE, BOO, with WONG, WILLIAM. "Can You Hear the Femur Play? Bone Audio Speakers at the Nanoscale," in Special Section "Nanotechnology, Nanoscale Science and Art," Leonardo 41, No. 4 (2008).
CHEMIN, ISABELLE, and HÜBNER, GUIDO. "Das Synthetische Mischgewebe: TransNEUROsite: An Alliance between Artists and Engineers," in Special Section "Art and Biology," Leonardo 31, No. 1 (1998).
CHEN, CHU-YIN. "Quorum Sensing: An Interactive Installation," Leonardo 37, No. 2 (2004).
CHEN, SHIN PING. "Bathysphere," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).
CHESSA, LUCIANO. "L?Arte dei 'Romori': Leonardine Devotion in Luigi Russolo?s Oeuvre," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 1 (2008).
CHINA BLUE. "Feng Shui Matrix," Leonardo 37, No. 4 (2004).
CHRISTIAN, MICHAEL. "Flock," Leonardo 36, No. 5 (2003).
CHRISTIANSEN, HENNING. "reality is a ghost in my mind (cruelty & terror)," Leonardo Music Journal 8 (1998).
CHRYSAKIS, THANOS. "Spatio-Aural Terrains," Leonardo Music Journal 16 (2006).
CHOW, KENNY K.N. "Operating Text and Transcending Machine: Toward an Interdisciplinary Taxonomy of Media Works," Leonardo 41, No. 4 (2008).
CHOY, KOK KEE. "T2000," Leonardo 37, No. 2 (2004).
CISLER, STEVE. "Pirates of the Pacific Rim," Piracy and the Pacific section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).
CIUFFREDA, KENNETH J., and ENGBER, KIMBERLY. "Is One Eye Better Than Two When Viewing Pictorial Art?" Leonardo 35, No. 1 (2002).
CLAR, RICHARD. "The Process of Art in Interstellar Message Construction," in Special Section "The Art and Science of Interstellar Message Composition," Leonardo 37, No. 1 (2004).
CLARKE, JULIE. "Corporeal M?lange: Aesthetics and Ethics of Biomaterials in Stelarc and Nina Sellars's Blender," Leonardo 39, No. 5 (2006).
CLARKSON, AUSTIN. "David Tudor's Apprenticeship: The Years with Irma and Stefan Wolpe," Leonardo Music Journal 14 (2004).
CLAUS, JÜRGEN. "Art for the Solar Age," Leonardo 36, No. 3 (2003).
CLAUS, JÜRGEN. "Pierre Restany: A Man in Rhythm with His Time," Leonardo 37, No. 1 (2004).
CLAUS, JÜRGEN. "Stan VanDerBeek: An Early Space Art Pioneer," Leonardo 36, No. 3 (2003).
CLAUS, JÜRGEN. "The Solar Crystal: An Energy Autarchic Sun Sculpture," Leonardo 29, No. 1 (1996).
CLOTHIER, IAN M. "Leonardo, Nonlinearity and Integrated Systems," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 1 (2008).
CLUETT, SETH. "Towards a Post-Phenomenology of Extra-Musical Sound as Compositional Determinant," Leonardo Music Journal 16 (2006).
COBB, CHRIS. Review of Ezra Pound's Radio Operas by Margaret Fisher, Leonardo 36, No. 5 (2003).
COBB, CHRIS. Review of Hanging Out in the Virtual Pub by Lori Kendall, Leonardo 36, No. 5 (2003).
COBB, CHRIS. Review of Introduction to Art Image Access, edited by Murtha Baca, Leonardo 36, No. 5 (2003).
COBB, CHRIS. Review of Music and Technology in the Twentieth Century, edited by Hans Joachim Braun, Leonardo 36, No. 3 (2003).
COBB, CHRIS. Review of Publicity's Secret by Jodi Dean, Leonardo 36, No. 5 (2003).
COBB, CHRIS. Review of Les UST Nouvelles clés pour lécoute, Les Unités Semiotiques Temporelles, MIM (Laboratoire Musique Informatique de Marseille), Leonardo 37, No. 5 (2004).
COBB, CHRIS. Review of Vingt Chansons pour Jean Cocteau (Twenty Songs for Jean Cocteau) by Maurice Methot, Leonardo 37, No. 4 (2004).
COBBING, BOB. "The Judith Poem," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).
COBURN, ROBERT, and ROSE, FRAN?OIS. Review of Presences of/Présences de Iannis Xenakis, edited by Makis Solomos, Leonardo 35, No. 4 (2002).
COBURN, ROBERT. Review of Harry Partch: An Anthology of Critical Perspectives, edited by David Dunn, Leonardo 35, No. 2 (2002).
COBURN, ROBERT. Review of language, message, drummage: Compositions for Tape and for Instruments; Wayfaring Sounds: Compositions for Instruments and Tape; mutatis mutandis: Compositions for Solo Instruments and Ensembles; and SAWDUST: Computer Music Project (CDs), by Herbert Brün, Leonardo Music Journal 9 (1999).
COBURN, ROBERT. Review of language, message, drummage: Compositions for Tape and for Instruments; Wayfaring Sounds: Compositions for Instruments and Tape; mutatis mutandis: Compositions for Solo Instruments and Ensembles; and SAWDUST: Computer Music Project (CDs), by Herbert Brun, Leonardo 33, No. 1 (2000).
COBURN, ROBERT. Review of Winded: Works for Organ and Tape by, of and for Kenneth Gaburo (CD) by Gary Verkade, Leonardo 35, No. 2 (2002).
COBURN, ROBERT. Review of Xenakis: Electronic Music (CD), by Iannis Xenakis, Leonardo Music Journal 9 (1999).
COBURN, ROBERT. Review of Xenakis: Electronic Music by Iannis Xenakis, Leonardo 33, No. 1 (2000).
CODDING, BILL. "The Burninator II," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).
CODOGNET, PHILIPPE. "Ancient Images and New Technologies: The Semiotics of the Web," Leonardo 35, No. 1 (2002).
COHEN, HAROLD. "A Self-Defining Game for One Player: On the Nature of Creativity and the Possibility of Creative Computer Programs," in Special Section "Creativity and Cognition," Leonardo 35, No. 1 (2002).
COHEN, JESSICA. "Tel Aviv, 2004," After Midnight section, Leonardo 38, No. 2 (2005).
COLAGROSSI, ATTILIO; SCIARRONE, FILIPPO; and SECCARONI, CLAUDIO. "A Methodology for Automating the Classification of Works of Art Using Neural Networks," Leonardo 36, No. 1 (2003).
COLEMAN, BETH, and GOLDKRAND, HOWARD. "Anatomy of an Amalgamation," in Special Section "Sound and the Social Organization of Space," Leonardo Music Journal 16 (2006).
COLLINS, BRENT. "Evolving an Aesthetic of Surface Economy in Sculpture," Leonardo 30, No. 2 (1997).
COLLINS, BRENT. "Saddle Motifs Deployed in Indefinitely Extendible Helical Continuities," Leonardo 30, No. 1 (1997).
COLLINS, NICK. "Recursive Audio Cutting," Leonardo Music Journal 13 (2003).
COLLINS, NICOLAS. "Composers inside Electronics: Music after David Tudor," Leonardo Music Journal 14 (2004).
COLLINS, NICOLAS. Introduction: "Ghosts and Monsters: Technology and Personality in Contemporary Music," Leonardo Music Journal 8 (1998).
COLLINS, NICOLAS. Introduction: "Groove, Pit and Wave," Leonardo Music Journal 13 (2003).
COLLINS, NICOLAS. Introduction: "My Favorite Things: The Art of the Gizmo," Leonardo Music Journal 17 (2007).
COLLINS, NICOLAS. Introduction: "Noises Off: Sound Beyond Music," Leonardo Music Journal 16 (2006).
COLLINS, NIC. "Introduction: Not Necessarily 'English Music': Britain's Second Golden Age," Leonardo Music Journal 11 (2001).
COLLINS, NICOLAS. Introduction: "Southern Cones," Leonardo Music Journal 10 (2000).
COLLINS, NICOLAS. Introduction: "Thoughtful Pleasures," Leonardo Music Journal 12 (2002).
COLLINS, NICOLAS. "A Turn in the Shrubbery---Music, Technology and Words," Leonardo Music Journal 7 (1997).
COLLINS, NICOLAS. "Ubiquitous Electronics---Technology and Live Performance 1966--1996," Leonardo Music Journal 8 (1998).
COLLINS, NICOLAS. Introduction: "Why Live? Performance in the Age of Digital Reproduction," Leonardo Music Journal 18 (2008).
COLLINS, TIM, and GOTO, REIKO. "Urban Reclamation: Place, Value, Use: The Nine Mile Run Project," Leonardo 30, No. 3 (1997).
COLLOPY, FRED. "Color, Form and Motion: Dimensions of a Musical Art of Light," in Special Issue "The Eighth Annual New York Digital Salon," Leonardo 33, No. 5 (2000).
COLLOPY, FRED. "Improvisational Lumia: Painting along with Musicians," Leonardo 34, No. 4 (2001).
COLOSI, NINA. "The Antennae of the Race," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).
CONDÉ, SUSAN. "The Fractal Artist," Leonardo 34, No. 1 (2001).
CONLON, JULIET. "From the Back of the Eyelids: Public and Private Space in an Interactive Installation," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).
CONRAD, DANIEL. "The Dichromaccord: Reinventing the Elusive Color Organ," in Special Section "Synesthesia," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).
CONSOLMAGNO, GUY J. "Astronomy, Science Fiction and the Popular Culture: 1277 to 2001 (and Beyond)," in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).
CONTINI, LEO. "The Anasculpture---An Alternative to Visual Perception," Leonardo 38, No. 4 (2005).
COOK, SHELLEY. "Adult Human Female, Ephemeroptura," Leonardo 30, No. 1 (1997).
COOPER, MIKE. "Pharoah's March," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).
COPE, DAVID. "Facing the Music: Perspectives on Machine Composed Music," Leonardo Music Journal 9 (1999).
CORBY, TOM. "Landscapes of Feeling, Arenas of Action: Information Visualization as Art Practice," Leonardo 41, No. 5 (2008).
CORCORAN, MARLENA. "The Gallbladder Sonata: Transmission Time on the Internet," Leonardo Music Journal 13 (2003).
CORCORAN, MARLENA. "Digital Transformations of Time: The Aesthetics of the Internet," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).
CORCORAN, MARLENA. "Life and Death in the Digital World of the Plaintext Players," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).
CORCORAN, MARLENA. "'Worst Case Scenarios:' The Fiction of the Internet," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).
CORDEIRO, WALDEMAR. "Arteônica: Electronic Art," Leonardo 30, No. 1 (1997).
CORNESS, GREG. "The Musical Experience through the Lens of Embodiment," Leonardo Music Journal 18 (2008).
COSTELLO, BRIGID. "A Pleasure Framework," Transactions, Leonardo 40, No. 4 (2007).
COSTELLO, MATTHEW J. "Don't Press That Button," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).
COUEY, ANNA. "Art Communication Systems," Leonardo 29, No. 4 (1996).
COX, DAVID. Review of Memory Trade: A Prehistory of Cyberculture by Darren Tofts, Leonardo 33, No. 3 (2000).
COX, DONNA. "Using the Supercomputer to Visualize Higher Dimensions: An Artist's Contribution to Scientific Visualization," in Special Section "From the Leonardo Archive," Leonardo 41, No. 4 (2008).
COX, GEOFF. Review of Organized Networks: Media Theory, Creative Labour, New Institutions by Ned Rossiter, Leonardo 40, No. 5 (2007).
COXHILL, LOL. "Plum," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).
CRAWFORD, DAVID. "Stop Motion Studies, Gallery Section, Leonardo 40, No. 3 (2007).
CRONBACH, NICK. Review of Pretend We're Dead: Capitalist Monsters in American Pop Culture by Annalee Newitz, Leonardo 41, No. 1 (2008).
CROSS, LOWELL. "Reunion: John Cage, Marcel Duchamp, Electronic Music and Chess," Leonardo Music Journal 9 (1999).
CROSS, NIGEL. "Creativity in Design: Analyzing and Modeling the Creative Leap," in Special Section "Creativity and Cognition Conference Papers," Leonardo 30, No. 4 (1997).
CROSSMAN, BRUCE. "Sounding the Ritual of Sensual Rebellion: Pacific-European Resonances," Leonardo Music Journal 12 (2002).
CSURI, CHARLES. "Queenly Gestures: A Living Art Object," Leonardo 32, No. 4 (1999).
CUBITT, SEAN. "Online Sound and Virtual Architecture (Contribution to the Geography of Cultural Translation)," in Special Section "Conference Papers from the Seventh International Symposium on Electronic Art (ISEA 96)," Leonardo Music Journal 7 (1997).
CUBITT, SEAN. Review of Art and Technology in the Nineteenth and Twentieth Centuries by Pierre Francastel, Leonardo 35, No. 1 (2002).
CUBITT, SEAN. Review of Crepuscular Dawn by Paul Virilio and Sylvère Lotringer, Leonardo 37, No. 3 (2004).
CUBITT, SEAN. Review of The Digital Sublime: Myth, Power and Cyberspace
by Vincent Mosco, Leonardo 40, No. 4 (2007).
CUBITT, SEAN. Review of From Handel to Hendrix: The Composer in the Public Sphere by Michael Chanan, Leonardo 34, No. 2 (2001).
CUBITT, SEAN. Review of Guy Debord and the Situationist International, edited by Tom McDonough, Leonardo 36, No. 5 (2003).
CUBITT, SEAN. Review of Marcel Duchamp by Dawn Ades, Neil Cox and David Hopkins, Leonardo 35, No. 1 (2002).
CUBITT, SEAN. Review of Practices of Looking: An Introduction to Visual Culture by Marita Sturken and Lisa Cartwright, Leonardo 35, No. 2 (2002).
CUBITT, SEAN. Review of The Liberating Power of Symbols: Philosophical Essays by Jurgen Habermas and The Postnational Constellation: Political Essays by Jurgen Habermas, Leonardo 35, No. 3 (2002).
CUBITT, SEAN. Review of The Shape of Things: A Philosophy of Design; Towards a Philosophy of Photography; Writings; and The Freedom of the Migrant: Objections to Nationalism by Vilém Flusser, Leonardo 37, No. 5 (2004).
CUBITT, SEAN. Review of Telematic Embrace: Visionary Theories of Art, Technology and Consciousness by Roy Ascott, Leonardo 37, No. 2 (2004).
CUBITT, SEAN. Review of World Spectators by Kaja Silverman, Leonardo 36, No. 1 (2003).
CUÉLLAR CAMARGO, LUCIO EDILBERTO. "Response," Leonardo Music Journal 12 (2002).
CUELLAR CAMARGO, LUCIO EDILBERTO. "The Development of Electroacoustic Music in Colombia, 1965--1999: An Introduction," Leonardo Music Journal 10 (2000).
CUIFFREDA, KENNETH J., and ENGBER, KIMBERLY. "Is One Eye Better Than Two When Viewing Pictorial Art?" Leonardo 35, No. 1 (2002).
CULVER, ANDREW. "John Cage's Essay: Installation Notes," Leonardo Music Journal 8 (1998).
CUNARD, JEFFREY P. "Past as Precedent: Some Thoughts on Novel Approaches to the Nexus of Digital Technologies and the Arts," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I," Leonardo 29, No. 3 (1996).
CURTIS, CASSIDY, and WHITNEY, CHRIS. "The Telestereoscope," Leonardo 36, No. 5 (2003).
CUSACK, PETER. "Geese," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).
CUSACK, PETER. "Extract from A Host, Of Golden Daffodils," Leonardo Music Journal 8 (1998).
CUSACK, PETER. CD Curator's Introduction: "Interpreting the Soundscape," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).
CUTLER, RANDY LEE. "The Songs of Science," Leonardo 31, No. 3 (1998).
DÍAZ, LILY. "Digital Archeology: Design Research and Education---Connecting Historical Narratives and Digital Environments," in Special Section "The Planetary Collegium: Towards the Radical Reconstruction of Art Education," Leonardo 31, No. 4 (1998).
D'AMBROSIO, UBIRATAN. "Mathematics and Peace: A Reflection on the Basis of Western Civilization," Leonardo 34, No. 4 (2001).
DAHLBERG, ANDREA. Review of Art Since 1900: Modernism, Antimodernism, Postmodernism, by Hal Foster, Rosalind Krauss, Yve-Alain Blois and Benjamin HD Buchloh, Leonardo 39, No. 3 (2006).
DAHLBERG, ANDREA. Review of Chronophobia: On Time in the Art of the 1960s by Pamela M. Lee, Leonardo 38, No. 2 (2005).
DAHLBERG, ANDREA. Review of Conversation Pieces: Community and Communication in Modern Art, by Grant Kester, Leonardo 39, No. 2 (2006).
DAHLBERG, ANDREA. Review of Edward Said: The Last Interview, film by Mike Dibb, Leonardo 39, No. 1 (2006).
DAHLBERG, ANDREA. Review of Knock-Off: Revenge on the Logo by Anette Baldhauf and Katharina Weingartner, Leonardo 40, No. 4 (2007).
DAHLBERG, ANDREA. Review of Regular or Super---Views on Mies van der Rohe, film directed by Joseph Hillel and Patrick Demers, Leonardo 39, No. 5 (2006).
DAHLBERG, ANDREA. Review of River of Time by Robert Fox,
Leonardo 40, No. 2 (2007).
DAHLBERG, ANDREA. Review of Shooting Kennedy: JFK and the Culture of Images by David M. Lubin, Leonardo 38, No. 1 (2005).
DAHLKE, KURT. "Brontologik," CD contributor's note, Leonardo Music Journal 10 (2000).
DAHLSTEDT, PALLE, and MCBURNEY, PETER J. "Musical Agents: Towards Computer-Aided Music Composition Using Autonomous Software Agents,? in Special Section ?Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).
DAHLSTEDT, PALLE, and NORDAHL, MATS G. "Living Melodies: Coevolution of Sonic Communication," Leonardo 34, No. 3 (2001).
DAMER, BRUCE (FOR BIOTA.ORG). "The Cyberbiological Worlds of Nerve Garden: A Test Bed for VRML 2.0," in Special Section "Artificial Life Art," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).
DAMER, BRUCE. "The Nerve Garden: Plant a Seed in Cyberspace," in Special Section "Art and Biology," Leonardo 31, No. 4 (1998).
DANCE, LINDA, with FISHWICK, PAUL. "Visualizing Petri Nets in 3D," Leonardo 36, No. 4 (2003).
DANIEL, SHARON, and O'ROURKE, KAREN. "Mapping the Database: Trajectories and Perspectives," in Special Section "Artmedia VIII Selected Symposium Papers," Leonardo 37, No. 4 (2004).
DARVAS, GYÖRGY, and FARKAS, TAMÁS F. "An Artist's Works through the Eyes of a Physicist: Graphic Illustration of Particle Symmetries," Leonardo 39, No. 1 (2006).
DAS MANN, DAN. "The Faces of the Man," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).
DAS MANN, DAN. "The One Tree," Leonardo 36, No. 5 (2003).
DAS, REET K. "#z," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).
DAT POLITICS, "Bag," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).
DAUBY, YANNICK. "Taiwanese Animal Phonography," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).
DAUMONT, DAYOAN. "El Ultimo Cemi," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).
DAVIES, HUGH. "Music for Three Springs," LMJ CD Contributor's Note, Leonardo Music Journal 11 (2001).
DAVIES, HUGH. "Daphne Oram: Four Aspects," LMJ CD Contributor's Note, Leonardo Music Journal 11 (2001).
DAVIES, HUGH. "Gentle Fire: Group Composition VI (Unfixed Parities)," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).
DAVIES, HUGH. "Gentle Fire: An Early Approach to Live Electronic Music," Leonardo Music Journal 11 (2001).
DAVIES, RHODRI. "Camber," i>Leonardo Music Journal LMJ17 CD Contributor's Note, 17 (2007).
DAVIS, JULIET. "Fractured Cybertales: Navigating the Feminine," Leonardo 41, No. 1 (2008).
DÁVILA-IRIZARRY, CÉSAR. "Distorted RF Lullabies," Leonardo Music Journal 17 (2007).
DAWSON, PAULA. "Holographic Chiaroscuro: Figures in Virtual and Pseudoscopic Space," in Special Section "Transactions," Leonardo 41, No. 3 (2008).
DAY, TERRY. "The People Band: Part 3," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).
DELAHUNTA, SCOTT. "Willing Conversations: The Process of Being Between," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).
DELAURENTI, CHRIS. "Our Streets!" LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).
DEMAINE, ERIK D.; DEMAINE, MARTIN L.; and PALMER, A. LAURIE. "The Helium Stockpile: A Collaboration in Mathematical Folding Sculpture," in Special Section: "ArtScience: The Essential Connection," Leonardo 39, No. 3 (2006).
DE MARINIS, PAUL. "The Lecture of Comrade Stalin at the Extraordinary 8th Planetary Congress about the Draft Concept of the Constitution of the Soviet Union on November 25, 1936," Leonardo Music Journal 8 (1998).
DE MENEZES, MARTA. "The Artificial Natural: Manipulating Butterfly Wing Patterns for Artistic Purposes," Leonardo 36, No. 1 (2003).
DE MEY, JOS. "Wandelrustende therapeut van Magritte in winters Arcadia," Leonardo 33, No. 1 (2000).
DE ROSNAY, JOEL. "Protection of Intellectual Property Interests," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I," Leonardo 29, No. 3 (1996).
DE SOUSA VIANNA, RACHEL. "Art Education and Urban Aesthetics," Leonardo 35, No. 3 (2002).
DEBONO, MARC-WILLIAMS. "From Perception to Consciousness: An Epistemic Vision of Evolutionary Processes," Leonardo 37, No. 3 (2004).
DEFRANCEAUX, DEIDRE, and NUNN, JANN. "The Cradle," Leonardo 36, No. 5 (2003).
DEGAZIO, BRUNO. "The Evolution of Musical Organisms," Leonardo Music Journal 7 (1997).
DEIHL, STEVE. "Constants of Art and Nature: The Rainbow Project," in Special Section "The Art and Science of Interstellar Message Composition," Leonardo 37, No. 1 (2004).
DELALANDE, FRANÇOIS. "Sense and Intersensoriality," Leonardo 36, No. 4 (2003).
DELL, ROBERT. "Hitavaettur and the Implications of Geothermal Sculpture," Leonardo 33, No. 3 (2000).
DEL-PRETE, SANDRO. "Homage to Leonardo da Vinci," Leonardo 33, No. 1 (2000).
DELYS, SHERRE. "Transpoes: A Digital Sketch of Australian Mimicry," LMJ CD Companion Note, Leonardo Music Journal 6 (1996).
DEMARINIS, PAUL. "Gray Area," Leonardo 29, No. 4 (1996).
DEMERS, LOUIS-PHILIPPE, and VORN, BILL. "Lost Referential," Leonardo 32, No. 3 (1999).
DERGES, SUSAN. "The River Taw (Last Quarter Willow) and The River Taw (New Moon, Ivy)," Gallery Section, 34, No. 1 (2001).
DESBAZEILLE, MAGALI, and CANTO, SIEGFRIED, with BEIGEL, CHRISTINE. "You Think, Therefore I Am (Following You) (Tu penses donc je te suis)," in Special Section "@rt Outsiders Festival," Leonardo 37, No. 2 (2004).
DEV, SARITA. "Himalaya's Head: Disturbed Visual Feedback in an Interactive Multi-User Installation," Leonardo 40, No. 1 (2007).
DI SCIPIO, AGOSTINO. "Iterated Nonlinear Functions as a Sound-Generating Engine," Leonardo 34, No. 3 (2001).
DIAMOND, JODY. "Yogyakarta Gamelan Festival 1997," Leonardo Music Journal 7 (1997).
DíAZ-KOMMONEN, LILY. "Art, Fact and Artifact Production: Design Research and Multidisciplinary Collaboration," Leonardo 37, No. 1 (2004).
DI CASTRO, ANDREA. "Art and New Technology in Mexico: The National Center for the Arts," Latin America/Pacific-Asia New Media Initiatives section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).
DICK, STEVEN J. "Other Worlds: The Cultural Significance of the Extraterrestrial Life Debate," in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).
DICKSON, STEWART. "A Three-Dimensional Zoetrope of the Calabi-Yau Cross-Section in CP4," Leonardo 36, No. 3 (2003).
DIDKOVSKY, NICK. "Metamusic/Metatext: The Blurry Boundaries Around Distributed Compositional Systems," Leonardo Music Journal 7 (1997).
DIETZ, STEVE. "Ten Dreams of Technology," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).
DIETZ, STEVE, and NADARAJAN, GUNALAN. "Introduction: About Container Culture," Container Culture section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).
DISALVO, CARL FRANCIS. "Philosophy and Visual Representation: Imaging the Impossible," Leonardo 32, No. 2 (1999).
DJAMBAZOV, VLADIMIR. "The Secret Life of a Can," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).
DJNZ, and THE ACTION TOOL DEVELOPMENT GROUP OF THE ELECTROHIPPIES COLLECTIVE. "Client-Side Distributed Denial-of-Service: Valid Campaign Tactic or Terrorist Act?" Leonardo 34, No. 3 (2001).
DOCTOLERO, FERDINAND. "Angolo and Anarabrab," Gallery Section, Leonardo 35, No. 3 (2002).
DOLINSKY, MARGARET. Review of Arranging Things: A Rhetoric of Object Placement by Leonard Kohen, Leonardo 37, No. 3 (2004).
DOLLENS, DENNIS. Review of Index Architecture, edited by Bernard Tschumi and Matthew Berman, Leonardo 37, No. 2 (2004).
DOLLENS, DENNIS. Review of A Thing in Disguise: The Visionary Life of Joseph Paxton by Kate Colquhoun, Leonardo 37, No. 5 (2004).
DOLLENS, DENNIS L. "A System of Digital-Botanic Architecture," Leonardo 38, No. 1 (2005).
DOMINGUES, DIANA. "Day-Dreaming States in Interfaced Environments: Telematic Rituals in Ouroboros," in Special Section "ISEA 2002 Selected Papers," Leonardo 37, No. 4 (2004).
DOMINGUES, DIANA. "TRANS-E," Leonardo 29, No. 4 (1996).
DOMNITCH, EVELINA, and GELFAND, DMITRY. "Camera Lucida: A Three-Dimensional Sonochemical Observatory," Leonardo 37, No. 5 (2004).
DONATI, LUISA. "Artistic Environments of Telepresence on the World Wide Web," in Special Issue "The Ninth Annual Digital Salon," 34, No. 5 (2001).
DONATI, LUISA PARAGUAI. Review of BitArt web site, Leonardo 37, No. 1 (2004).
DONATI, LUISA PARAGUAI. Review of holes-linings-threads web site, Leonardo 36, No. 3 (2003).
DONATI, LUISA PARAGUAI. Review of Shine02.org web site, Leonardo 36, No. 5 (2003).
DONATOWICZ, JADZIA. "Symbolism of the Cosmic Dance of Shiva in the South Indian Temple Dance Tradition," in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).
DONGUY, JACQUES. "Machine Head: Raoul Hausmann and the Optophone," Leonardo 34, No. 3 (2001).
DORIN, ALAN, and MCCORMACK, JON. Special Section Introduction: "First Iteration---A Conference on Generative Systems in the Electronic Arts," Leonardo 34, No. 3 (2001).
DOUGLAS, J. YELLOWLEES. "Virtual Intimacy and the Male Gaze Cubed: Interacting with Narratives on CD ROM," Leonardo 29, No. 3 (1996).
DRAPE, ROHAN. "piano & sine tones #15," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).
DRAVES, SCOTT. "Electric Sheep," The VIDA Gallery, Leonardo 41, No. 1 (2008).
DRISCOLL, JOHN, and ROGALSKY, MATT. "David Tudor's Rainforest: An Evolving Exploration of Resonance," Leonardo Music Journal 14 (2004).
DRUCKER, JOHANNA. "Digital Ontologies: The Ideality of Form in/and Code Storage---or---Can Graphesis Challenge Mathesis?" Leonardo 34, No. 2 (2001).
DRUCKER, JOHANNA. "Letterpress Language: Typography as a Medium for the Visual Representation of Language," in Special Section "From the Leonardo Archive," Leonardo 41, No. 1 (2008).
DRYER, IVAN. "The International Laser Display Association," Leonardo 29, No. 2 (1996).
DUCKWORTH, WILLIAM. "Making Music on the Web," Leonardo Music Journal 9 (1999).
DUESING, JAMES. "Law of Averages," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).
DUFFEY, MICHAEL. "The Vocal Memnon and Solar Thermal Automata," Leonardo Music Journal 17 (2007).
DUNCAN, ANDREA. "humanscape," Leonardo 37, No. 4 (2004).
DUNKLEY, WAYNE. "Creating Space: Web Art Practice," Leonardo 38, No. 4 (2005).
DUNLOP, MAC, and JENKINS, NEIL. "The Orbital Poetry Engine," Leonardo 36, No. 4 (2003).
DUNN, JOHN, and CLARK, MARY ANNE." Life Music: The Sonification of Proteins," Leonardo 32, No. 1 (1999).
DUPRAT, HUBERT, and BESSON, CHRISTIAN. "The Wonderful Caddis Worm: Sculptural Work in Collaboration with Trichoptera," Leonardo 31, No. 3 (1998).
DUQUE, ALEJANDRO. "New Media as Resistance: Colombia," Leonardo 34, No. 4 (2001).
DURINGER, JACOB. "The Evolution of the Musical Keyboard," Leonardo Music Journal 7 (1997).
DYMOND, ERIC. "The Doorway," Leonardo 31, No. 4 (1998).
DYSON, FRANCES. "Window Pain," LMJ CD Companion Note, Leonardo Music Journal 6 (1996).
EA. "s. pool," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).
EASTLEY, MAX. "Wind Flutes Urban," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).
EBER, DENA. Special Section Introduction: "Art and Culture Papers from N-Space: The SIGGRAPH 2001 Art Gallery," in Special Section "SIGGRAPH Art and Culture Program," Leonardo 35, No. 4 (2002).
EBERT, DAVID S., and BAILEY, DAN. "A Collaborative and Interdisciplinary Computer Animation Course," in Special Section "SIGGRAPH Educators Program," Leonardo 35, No. 1 (2002).
EDMONDS, ERNEST. "Research on and from within Creative Practice," Editorial, Leonardo 40, No. 4 (2007).
EDMONDS, ERNEST. "Structure in Art Practice: Technology as an Agent for Concept Development," in Special Section "Creativity and Cognition," Leonardo 35, No. 1 (2002).
ELIAS, HERLANDER. "Net Work on Network," Leonardo 37, No. 3 (2004).
ELKINS, JAMES. "Response to Tomas Garcia Salgado," Leonardo 29, No. 1 (1996).
ELSENAAR, ARTHUR, and SCHA, REMKO. "Electric Body Manipulation as Performance Art: A Historical Perspective," Leonardo Music Journal 12 (2002).
EMELIANOFF, LAURA. "The Transfigured Instrument: Player Piano," Leonardo Music Journal 17 (2007).
EMMER, MICHELE. "Can Ideas and Words Be Useful?" Leonardo 35, No. 1 (2002).
EMMER, MICHELE. "Homage to Escher," Leonardo 33, No. 1 (2000).
EMMER, MICHELE. "Mathematicians: The New Artists?" Leonardo 32, No. 3 (1999).
EMMER, MICHELE. "Only Bombs Are Intelligent?" Leonardo 33, No. 2 (2000).
EMMER, MICHELE. Editorial: "The Role of Artists and Scientists in Times of War: A Renewed Call for Papers," Leonardo 38, No. 3 (2005) .
EMMER, MICHELE. "Selected Papers from Participants of the International Workshop on Art and Science," in Special Section "International Workshop on Art and Science," Leonardo 29, No. 1 (1996).
EMMER, MICHELE. Special Section Introduction: "Artists and War: Answers?" Leonardo 34, No. 1 (2001).
EMMERSON, SIMON. "Intermodulation: Performants," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).
ENGELI, MAIA. Review of Ars Electronica 2003: CODE---The Language of our Time, Leonardo 37, No. 3 (2004).
ENGELI, MAIA. Review of Artmedia VIII, Leonardo 36, No. 4 (2003).
ENGELI, MAIA. Review of Design Research: Methods and Perspectives, edited by Brenda Laurel, Leonardo 38, No. 3 (2005).
ENGELI, MAIA. Review of Rules of Play: Game Design Fundamentals by Katie Salen and Eric Zimmerman, Leonardo 37, No. 5 (2004).
ENNS, ANTHONY. Review of Constant, Avant le Départ, directed by Maarten Schmidt and Thomas Doebele, Leonardo 41, No. 2 (2008).
ENNS, ANTHONY. Review of The Perfect Medium: Photography and the Occult, exh. cat. by Cl?ment Ch?roux et al., Leonardo 39, No. 3 (2006).
EPURÉ, SHERBAN. "An Artist's Journey in Art and Science: From behind the Iron Curtain to Present-Day America," Leonardo 39, No. 5 (2006).
ESKILSON, STEPHEN. "Thomas Wilfred and Intermedia: Seeking a Framework for Lumia," Leonardo 36, No. 1 (2003).
ESKINAZI, S. "Numerical Modeling of Color," Leonardo 29, No. 1 (1996).
ESPINOSA, PATRICIA. "Meta-Fly," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).
ESQUIVEL, IVÁN. "Number and RGB," Gallery Section, Leonardo 35, No. 4 (2002).
ESTÉVEZ, ALBERTO T. "The Genetic Creation of Bioluminescent Plants for Urban and Domestic Use,"Leonardo 40, No. 1 (2007).
ETXEBERRIA, ARANTZA. "Artificial Evolution and Lifelike Creativity," in Special Section "A-Life in Art, Edutainment, Games and Research," Leonardo 35, No. 3 (2002).
EVELEV, YALE. "A Nonmusician's Life in Music," Leonardo Music Journal 12 (2002).
FABO, SABINE. Review of "Documenta X" (exhibition), Leonardo 31, No. 4 (1998).
FABRIS, ANNATERESA. "Waldemar Cordeiro: Computer Art Pioneer," in Special Section "A Radical Intervention: The Brazilian Contribution to the International Electronic Art Movement," Leonardo 30, No. 1 (1997).
FAGES, FERRAN. "DESTENS," LMJ17 CD Contributor's Note, Leonardo Music Journal 17(2007).
FAIGUENBOIM, IRENE. "Digital Generation," Leonardo 29, No. 4 (1996).
FAMILARA, AILEEN. "Gulo sa Bahay," Gallery Section, Leonardo 35, No. 3 (2002).
FANE, Lawrence. "The Invented World of Mariano Taccola: Revisiting a Once-Famous Artist-Engineer of 15th-Century Italy," Leonardo 36, No. 2 (2003).
FATHAUER, ROBERT. "Bats and Owls and Fractal Masks," Leonardo 33, No. 1 (2000).
FEATHER, NEIL. "Former Guitars and Cocolinas," Leonardo Music Journal 17(2007).
FEI, JAMES. "Real-Time Prototyping in Live Electronic Music: A Modular Crackle Instrument," Leonardo Music Journal 17 (2007).
FEÏLANE, DORA. "Synesthésies," Leonardo 33, No. 1 (2000).
FEDERMAN, FRANCINE. "The NEXTPITCH Learning Classifier System: Representation, Information Theory and Performance," Leonardo 36, No. 1 (2003).
FEESER, ANDREA, and CRANE, MARGARET. "An Online General Hospital: Constructing an Experience and Representation of Mental Health," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).
FEIJS, LOE. "Divisions of the Plane by Computer: Another Way of Looking at Mondrian's Nonfigurative Compositions," Leonardo 37, No. 3 (2004).
FEINGOLD, KEN. "ERROR 404: File Not Found," Introduction to Net-Works, in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).
FEINGOLD, KEN. "What's the Use?" Introduction to Net-Works, in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).
FELDMAN, DAVID. "Notes on '...still plenty of good music...,'" Leonardo Music Journal 7 (1997).
FELDMAN, DAVID. Review of Self-Similar Melodies, by Tom Johnson, Leonardo Music Journal 8 (1998).
FERGUSON, HELAMAN. "Four Canoes: Two Linking Klein Bottles with Hexagon Klein Bottle Plaza," Leonardo 33, No. 1 (2000).
FERGUSON, THEODOSIA H. "Celebrate Gaia: Aspects of Solar Art," Leonardo 29, No. 1 (1996).
FERNáNDEZ, MARíA. "Gordon Pask: Cybernetic Polymath," in Special Section "REFRESH! Conference Papers," Leonardo 41, No. 2 (2008).
FERRAN, BRONAC. Introduction: "Creating a Program of Support for Art and Science Collaborations," in Special Section ?Arts and Science Research Fellowships,? Leonardo 39, No. 5 (2006).
FERRARA, ENZO. Review of The Book of the Pharaohs by Pascal Vernus and Jean Yoyotte, Leonardo 37, No. 5 (2004).
FERRARA, ENZO. Review of Science, Culture, and Modern State Formation by Patrick Carroll, Leonardo 41, No. 2 (2008).
FERRAZ, FLAVIO. "Money," Leonardo 29, No. 4 (1996).
FERREIRA, PEDRO PEIXOTO. "When Sound Meets Movement: Performance in Electronic Dance Music," Leonardo Music Journal 18 (2008).
FERRIS, MALCOLM. "Wired Worlds," Leonardo 33, No. 2 (2000).
FEYERABEND, PAUL. "Theoreticians, Artists and Artisans," in Special Section "International Workshop on Art and Science," Leonardo 29, No. 1 (1996).
FILIMOWICZ, MICHAEL. "Intimachines,? Leonardo Music Journal 18 (2008).
FIERING, JASON. "Electromagnetic Properties of Pictorial Circuits," Leonardo 34, No. 1 (2001).
FIORANI, FRANCESCA. "The Colors of Leonardo?s Shadows," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 3 (2008).
FIRST, DAVID. "The Music of the Sphere: An Investigation into Asymptotic Harmonics, Brainwave Entrainment, Gestural Improvisation, and the Earth as a Giant Bell," Leonardo Music Journal 13 (2003).
FISCHER, HERVÉ. "A Crisis in Contemporary Art?" Leonardo 33, No. 1 (2000).
FISCHMAN, RAJMIL. "Global Village---Local Universe," Leonardo Music Journal 9 (1999).
FISHER, EBON. "Wigglism: A Philosophoid Entity Turns Ten," Leonardo 40, No. 1 (2007).
FISHWICK, PAUL A. "Aesthetic Programming: Crafting Personalized Software," Leonardo 35, No. 4 (2002).
FISHWICK, PAUL A. Introduction to Donna Cox, "Using the Supercomputer to Visualize Higher Dimensions: An Artist's Contribution to Scientific Visualization," in Special Section "From the Leonardo Archive," Leonardo 41, No. 4 (2008).
FISHWICK, PAUL; DIEHL, STEPHAN; PROPHET, JANE; and LÖWGREN, JONAS. "Perspectives on Aesthetic Computing," Leonardo 38, No. 2 (2005).
FISHWICK, PAUL, ET AL. "Aesthetic Computing Manifesto," Leonardo 36, No. 4 (2003).
FLANNERY, MAURA C. "Images of the Cell in Twentieth-Century Art and Science," Leonardo 31, No. 3 (1998).
FLANNERY, MAURA C. "Jellyfish on the Ceiling and Deer in the Den: The Biology of Interior Decoration," Leonardo 38, No. 3 (2005) .
FLEJTER, RAFAL. "Bridge Vibrations," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).
FLOW MOTION. "Astro Black Morphologies: Music and Science Lovers," in Special Section "Space Art 2004: Science, Technology and the Arts Workshop," Leonardo 39, No. 1 (2006).
FOBES, JOHN E. "Frank Malina and UNESCO: Yesterday, Today and Tomorrow," Leonardo 35, No. 4 (2002).
FONTANA, BILL. "The Relocation of Ambient Sound: Urban Sound Sculpture," in Special Section "From the Leonardo Archive," Leonardo 41, No. 2 (2008).
FOREST, FRED. "Against Official Contemporary Art, For an Art of the Present," Leonardo 29, No. 2 (1996).
FORESTA, DON, with BARTON, JONATHAN. "The Souillac Charter for Art and Industry: A Framework for Collaboration," with Introductions by Don Foresta and Fernando Lagraña, Leonardo 31, No. 3 (1998).
FOST, J.W. "Toward the Glass Bead Game: A Rhetorical Invention," Leonardo 37, No. 3 (2004).
FOSTER, CHRIS. "Crinklage: A New Art Process," Leonardo 32, No. 2 (1999).
FOURMENTRAUX, JEAN-PAUL. "Governing Artistic Innovation: An Interface among Art, Science and Industry,"
Leonardo 40, No. 5 (2007).
FOURMENTRAUX, JEAN-PAUL. "Internet Artworks, Artists and Computer Programmers: Sharing the Creative Process," Leonardo 39, No. 1 (2006).
FOX, BRUCE CANA. "Drum Circle Instruments," Leonardo Music Journal 17 (2007).
FRÉMIOT, MARCEL. "Same Period, Same Problems?" Leonardo 32, No. 3 (1999).
FRANCE, MICHEL MENDÈS. "Do All Roads Really Lead to CD-ROM?," Leonardo 32, No. 4 (1999).
FRANKE, HERBERT W. "The Latest Developments in Media Art," Leonardo 29, No. 4 (1996).
FRANKE, HERBERT. "Commentary," Leonardo 36, No. 5 (2003).
FRANKLIN, MARJORIE. "Digital Blood," Leonardo 31, No. 4 (1998).
FRATZESKOU, EUGENIA. "Inventing New Modes of Digital Visualisation in Contemporary Art," in Special Section "Transactions," Leonardo 41, No. 4 (2008).
FREEMAN, JASON. "Collaborative Creation, Live Performance and Flock," Leonardo Music Journal 18 (2008).
FREEMAN, JASON. "Graph Theory: Linking Online Musical Exploration to Concert Hall Performance," in Special Section "Transactions," Leonardo 41, No. 1 (2008).
FREIRE, SÉRGIO. "Early Musical Impressions from Both Sides of the Loudspeaker," Leonardo Music Journal 13 (2003).
FRICKS, DAVID. "Celebration of the Great Red Spot (GRS 79)," Leonardo 30, No. 2 (1997).
FRIEDL, REINHOLD. "Some Sado-Masochistic Aspects of Musical Pleasure," Leonardo Music Journal 12 (2002).
FRIEDLANDER, PAUL. "Dark Matter," Leonardo 32, No. 3 (1999).
FRIEDMAN, ALAN J. "Summary: Five Solutions to Intellectual Property Issues in a Digital Age," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part II," Leonardo 29, No. 4 (1996).
FRIEDRICH, MANFRED. "Polarization Microscopy as an Art Tool: Border Crossing between Art and Nature," Leonardo 36, No. 3 (2003).
FRITZ, DARKO. "Vladimir Bonacic: Computer-Generated Works Made within Zagreb's New Tendencies Network (1961?-1973)," in Special Section "REFRESH! Conference Papers," Leonardo 41, No. 2 (2008).
FRYER, FINLEY. "The Plastic Chapel," Leonardo 36, No. 5 (2003).
FUCHS, VALERIE SULLIVAN. "The In Finite Earth," Leonardo 33, No. 4 (2000).
FUJII, RYOZO. "Skin Colors and Patterns in Fish," in Special Section "Art and Biology," Leonardo 31, No. 1 (1998).
FULLER SNYDER, ALLEGRA, with VESNA, VICTORIA. "Education Automation on Spaceship Earth: Buckminster Fuller's Vision---More Relevant than Ever," in Special Section "The Planetary Collegium: Towards the Radical Reconstruction of Art Education," Leonardo 31, No. 4 (1998).
FUNG, KAI-HUNG. "Artwork Using 3D Computed Tomography: Extending Radiology into the Realm of Visual Art," Leonardo 39, No. 3 (2006).
FUNG, KAI-HUNG. "The Rainbow Technique: An Innovative Approach to the Artistic Presentation of 3D Computed Tomography," Leonardo 39, No. 2 (2006).
FURKA, ÁRPÁD. "How to Prepare a Cornucopia of New Substances," in Special Section "Art and Biology," Leonardo 31, No. 1 (1998).
GA, ZHANG. "The China Container," Container Culture section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).
GABRIEL, MARTHA CARRER CRUZ. "Voice Mosaic---Talking to the Web," in Special Section "Transactions," Leonardo 41, No. 2 (2008).
GAETANO, PAULA. "Alexitimia," VIDA Gallery, Leonardo 41, No. 1, (2008).
GAGNON, JEAN, and DEPOCAS, ALAIN. Special Section Introduction: "Documentation and Conservation of the Media-Arts Heritage (DOCAM)," Leonardo 40, No. 2 (2007).
GALANTER, PHILIP, and LEVY, ELLEN K. "Complexity," Gallery Section, Leonardo 36, No. 4 (2003).
GALEYEV, BULAT. Review of Musical-Aesthetic Education: Synesthesia and Complex Influence of Arts by N. Kolyadenko, Leonardo 38, No. 3 (2005) .
GALEYEV, BULAT. "Mikhail Matyushin's Contribution to Synthetic Art," Leonardo 38, No. 2 (2005).
GALEYEV, BULAT M. "Russians Leave Europe," Leonardo 31, No. 2 (1998).
GALEYEV, BULAT M. "Evolution of Gravitational Synesthesia in Music: To Color and Light!" Leonardo 36, No. 2 (2003).
GALEYEV, BULAT M. "Georgy Gidoni: Another Renascent Name," Leonardo 33, No. 3 (2000).
GALEYEV, BULAT M. "Light and Shadows of a Great Life: In Commemoration of the One Hundredth Anniversary of the Birth of Leon Theremin," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).
GALEYEV, BULAT M. "Melody Drawing Transformation," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).
GALEYEV, BULAT M. "The Nature and Functions of Synesthesia in Music," Leonardo 40, No. 3 (2007).
GALEYEV, BULAT M. "Open Letter on Synesthesia," Leonardo 34, No. 3 (2001).
GALEYEV, BULAT M. "Open Letter to Ray Bradbury," Leonardo 34, No. 1 (2001).
GALEYEV, BULAT M. "The Singing Shamail: A Computer Sound Installation," Leonardo 40, No. 5 (2007).
GALEYEV, BULAT M. Review of Creative Interpretation of the Cosmos by E.A. Magnitskaya, Leonardo 33, No. 4 (2000).
GALEYEV, BULAT M. Review of Kineticism, by V.F. Koleychuk, Leonardo 29, No. 2 (1996).
GALEYEV, BULAT M. Review of Psychology of Color, compiled by S.L. Udovik, Leonardo 33, No. 4 (2000).
GALEYEV, BULAT M. Review of Russian Cosmism and the Russian Avant-Garde by Yury Linnik, Leonardo 34, No. 1 (2001).
GALEYEV, BULAT M. Reviews of Road to Pleiades, by Yury Linnik, and Crystal of Aquarius, Leonardo 31, No. 4 (1998).
GALEYEV, BULAT M., and CHUDNOVSKY, VLADIMIR G. (compilers). Bibliography: Recent Russian Books on Art, Science and Technology (1994--1996), Leonardo 31, No. 2 (1998).
GALEYEV, BULAT M., and VANECHKINA, I.L. "Was Scriabin a Synesthete?" Leonardo 34, No. 4 (2001).
GALINDO-GAL*IN DOG, GUILLERMO. "MAIZ: A Cybertotemic Instrument," Leonardo Music Journal 17 (2007).
GAMPER, DAVID with OLIVEROS, PAULINE. "A Performer-Controlled Live Sound-Processing System: New Developments and Implementations of the Expanded Instrument System," Leonardo Music Journal 8 (1998).
GARCÍA-SALGADO, TOMÁS. "The Reverse Outlining Perspective of Leonardo?s Last Supper and Its Image Formation," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 2 (2008).
GARRETT, RICHARD. "The Davis Instruments Vantage Pro Weather Station," Leonardo Music Journal 17 (2007).
GARDINER, JEREMY. "The Isle of Purbeck," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).
GAROIAN, CHARLES R., and MATHEWS, JOHN D. "A Common Impulse in Art and Science," Leonardo 29, No. 4 (1996).
GARVEY, GREGORY P. "Life Drawing and 3D Figure Modeling with MAYA: Developing Alternatives to Photo-Realistic Modeling," in Special Section "SIGGRAPH Educators Program," Leonardo 35, No. 3 (2002).
GARVEY, GREGORY P. "The Split-Brain Human Computer User Interface," in Special Section "Creativity and Cognition," Leonardo 35, No. 3 (2002).
GATES, JEFF. "Art for the Information Age: The In Our Path and ArtFBI Web Sites," Leonardo 29, No. 4 (1996).
GAUMÉ, LUIS ÁLVAREZ. "Riddles in Fundamental Physics," in Special Section "The Physics of Aesthetics," Leonardo 41, No. 3 (2008).
GAUTHIER, HÉLÈNE. "Reflections of a Sculptor," Leonardo 33, No. 2 (2000).
GEESIN, RON. Duet for One String Banjo and Water Cistern, LMJ CD Companion Note, Leonardo Music Journal 11 (2001).
GEORGE, PHILLIP. "Mnemonic Notations: A Decade of Art Practice within a Digital Environment," Leonardo 35, No. 2 (2002).
GESSERT, GEORGE. "Art and Biology Bibliography," in Special Section "Art and Biology," Leonardo 30, No. 3 (1997).
GESSERT, GEORGE. "Art and Biology," Leonardo 30, No. 3 (1997).
GESSERT, GEORGE. "Bastard Flowers," Leonardo 29, No. 3 (1996).
GESSERT, GEORGE. "Gathered from Coincidence: Reflections on Art in a Time of Global Warming," Leonardo 40, No. 3 (2007).
GESSERT, GEORGE. "The Rainforests of Domestication: Ornamental Gardens as Sites of Maximum Genetic Diversity among Domesticated Plants," Leonardo 30, No. 2 (1997).
GESSERT, GEORGE. Obituary for William S. Burroughs, Leonardo 31, No. 3 (1998).
GESSERT, GEORGE. Review of American Monster by Paul Semonin, Leonardo 34, No. 4 (2001).
GESSERT, GEORGE. Review of Art Journal Special Issue: "Contemporary Art and the Genetic Code," Guest edited by Ellen K. Levy, with Berta M. Sichel, Leonardo 30, No. 1 (1997).
GESSERT, GEORGE. Review of Crumple, the Status of Knuckle by Dave Cooper, Leonardo 36, No. 3 (2003).
GESSERT, GEORGE. Review of Enough by Bill McKibben, Leonardo 37, No. 4 (2004).
GESSERT, GEORGE. Review of The Molecular Gaze by Suzanne Anker and Dorothy Nelkin, Leonardo 38, No. 1 (2005).
GESSERT, GEORGE. Review of One River: Explorations and Discoveries in the Amazon Rain Forest, by Wade Davis, Leonardo 31, No. 2 (1998).
GESSERT, GEORGE. Review of Oryx and Crake by Margaret Atwood, Leonardo 37, No. 5 (2004).
GESSERT, GEORGE. Review of The Tulip by Anna Pavord, Leonardo 34, No. 3 (2001).
GESSERT, GEORGE. Review of Unnatural Wonders: Essays from the Gap between Art and Life by Arthur C. Danto, Leonardo 41, No. 4 (2008).
GHAZALA, QUBAIS REED. "The Folk Music of Chance Electronics: Circuit-Bending the Modern Coconut," Leonardo Music Journal 14 (2004).
GIACCARDI, ELISA. "Metadesign as an Emergent Design Culture," i>Leonardo 38, No. 4 (2005).
GIBSON, JOHN. "sLowlife: Sonification of Plant Study Data," Leonardo Music Journal 16 (2006).
GIDDY, ALLAN. "Hours Remaining in the Life of Allan Giddy," Leonardo 31, No. 2 (1998).
GIGLIOTTI, CAROL. "Bridge To, Bridge From: The Arts, Technology and Education," in Special Section "The Planetary Collegium: Towards the Radical Reconstruction of Art Education," Leonardo 31, No. 2 (1998).
GILES, JENNE, and BONHAM, PHILIP. "The Ribcage," Leonardo 36, No. 5 (2003).
GILLARD, DAN. "The Theremin Enthusiasts Club International," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).
GILLERMAN, JOANN. "The Sun Drops Its Torch; EROS INterACTive; AnArchy Partycam," Leonardo 29, No. 4 (1996).
GILSON, MARK. "A Brief History of Japanese Robophilia," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).
GIMZEWSKI, JAMES K. "Nanotechnology: The Endgame of Materialism," in Special Section "Nanotechnology, Nanoscale Science and Art," Leonardo 41, No. 3 (2008).
GINZBURG, CARLOS. "The Neuronal Network of Social Culture and Homo Fractalus," Gallery Section, 34, No. 1 (2001).
GLANVILLE, RANULPH. "Nona Meyeah Teay," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).
GLANVILLE, RANULPH. "Between Now and Then: The Auto-Interview of a Lapsed Musician," Leonardo Music Journal 11 (2001).
GLEESON, MADGE. "Artist's Garden and Illuminated Manuscript," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).
GLENN, WALLY. "The Flaming Zen Garden and the Sands of Fire," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).
GLUCK, ROBERT. "The Shiraz Arts Festival: Western Avant-Garde Arts in 1970s Iran,"
Leonardo 40, No. 1 (2007).
GOBIN, PASCAL. "Sound Material: A New Reception," Leonardo 32, No. 4 (1999).
GODØY, ROLF INGE. "Motor-Mimetic Music Cognition," Leonardo 36, No. 4 (2003).
GODWIN, WILLIAM; MÄKIRINNE-CROFTS, PÄIVI; and SAADAT, SOHRAB. "Objects in Transition: A Spatial Paradigm for Creative Design," in Special Section "Creativity and Cognition Conference Papers," Leonardo 30, No. 4 (1997).
GOLAN, DORON. "East Window," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).
GOLDBERG, KEN; PACKER, RANDALL; MATUSIK, WOJCIECH; and KUHN, GREGORY. "Mori: An Internet-Based Earthwork," Leonardo 35, No. 3 (2002).
GOLDES, DAVID. "Untitled (Walk the Dog)," Gallery Section, Leonardo 36, No. 4 (2003).
GOLDSTEIN, LAURENCE. "Reflexivity, Contradiction, Paradox and M. C. Escher," Leonardo 29, No. 4 (1996).
GONZÁLEZ, MARISA. "The Destruction of a Nuclear Plant," Leonardo 41, No. 2 (2008).
GONZALES-DAY, KEN. "Analytical Photography: Portraiture, from the Index to the Epidermis," Leonardo 35, No. 1 (2002) | |
